An intelligent, original detective novel.
A heady mystery for the literary set.
In his latest outing, Hartman (The Rules of Dreaming, 2013) delivers a suspenseful, pitch-perfect novel with an unlikely lead detective: a fictionalized version of iconic Argentine writer Jorge Luis Borges (1899-1986). The story takes place outside Boston in 1967, as recollected by narrator Nick Martin—an ailing elderly man who once spent a semester as Borges’ graduate assistant and amateur gumshoe sidekick while the author was a visiting lecturer. Shortly after the eccentric Borges’ arrival, a murder within Nick’s department is revealed to have a surprise literary twist, and he and the author team up to solve the crime. The murder turns out to be the first in a series of strange tragedies in the area, all with some sort of connection to literature or philosophy. The crimes fit in well with Borges’ latest academic fascination, Thomas De Quincey’s 1827 satirical essay “On Murder Considered as One of the Fine Arts,” and Nick and Borges have long philosophic discourses at a local coffee shop, where they discuss the nature of reality as Nick pines for a beautiful waitress. “The world is crowded with illusionists,” Borges declares during one case, “trying to pass off an imperfect copy of something as the real thing.” Indeed, the world Hartman conjures certainly is crowded with illusionists. Although the prose is sometimes heavy with words that feel as if they were plucked from a thesaurus (“Inevitably the conversation gravitated to the purpose of our visit”), the author’s fine-tuned intellect and vivid reimagining of Borges make for a thought-provoking and compelling read. Plot points that might initially seem hard to believe are, more often than not, not quite what they seem, as Hartman’s story always stays two steps ahead of the reader. Enthusiasts of both philosophy and slick detective stories are sure to enjoy this probing inquiry into humanity’s darker impulses. Borges fans, in particular, will appreciate the book’s clever take on metafiction—not to mention the character’s sly quips: “Don’t the police in this country read Sherlock Holmes?”
An intelligent, original detective novel.Pub Date: June 1, 2014
ISBN: N/A
Page Count: -
Publisher: Swallow Tail Press
Review Posted Online: June 1, 2014
Kirkus Reviews Issue: July 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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