A surprisingly rich and varied compendium of clowning lore and technique.
A study of the variety artists commonly known as clowns.
In these pages, Johnson mostly concentrates on the sources and nurturing of the creativity at the heart of being a variety entertainer. He discusses popular theories of creativity, such as the left-brain/right-brain split, which holds that different hemispheres of the human brain specialize in different things. He draws on his own experiences as a clown learning about the world of entertainment, giving readers a glimpse inside the workings of Clown Camp and its various expositions all over the world. The author breaks down the learning process into various modes: Beginner mode, Explorer mode, Judge mode, and so forth. All come with their own encouragements and warnings: “A new idea, like a seedling, is fragile,” he writes. “Focusing on flaws can quickly crush it.” In addition to broader questions (like, “why do you want to be creative?”), he also delves into the details of the craft, everything from warmups to the intricacies of blocking rehearsals. “The art of circus, magic, puppetry, and theater,” he writes, “is one of illusion and fantasy”; his aim in this book is to clarify the inspiration and hard work that go into creating that fantasy. Johnson’s book features his engaging black-and-white drawings and other illustrations throughout, but the most consistent wonder of the work is its sweep—at every step along the way, Johnson broadens his scope in fascinating ways. Talk of varying entertainment routines opens into talk about creativity in general (“If you think you are creative, you act accordingly, releasing your creativity”); researching the history of clowns leads to a discussion about all-around research etiquette (“Always be courteous and do not make demands,” he writes. “The staff is there to assist you, but they are also responsible for protecting the items in their collection”). The result is an expansive work that will be engaging and valuable to audiences far beyond the boundaries of the entertaining world.
A surprisingly rich and varied compendium of clowning lore and technique.Pub Date: Feb. 27, 2023
ISBN: 9798986277240
Page Count: 610
Publisher: Charlie's Creative Comedy
Review Posted Online: Aug. 2, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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