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FLIGHT RECORD

A highly recommended set of poems by an author unpacking a troubled relationship with a parent.

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McIntosh offers an intense and complicated poetic memorial to his late father.

This collection covers a diversity of familial subject matter, from the poet’s idolization of his airline-pilot father as a child to his disillusionment watching his dad’s chronic alcoholism negatively impact his relationship with his family. It’s divided into three parts, roughly encompassing the poet’s childhood memories of his dad, his interactions with him as an adult, and his recollections of his father after he was diagnosed with amyotrophic lateral sclerosis, or Lou Gehrig’s disease, at the age of 62. The three sections are connected by one constant: the trauma caused by his father’s drinking and its aftermath. In the poem titled “16,” McIntosh remembers a Christmas morning when his hungover father told him and his brothers to go back to sleep: “waiting forever for you to come into the room / coffee in hand / so we could begin opening gifts.” Other poems detail his father driving drunk and speeding while taking the 12-year-old poet and his friends home from swim practice; the author accidently drinking his father’s “poisonous” screwdriver concoction in the refrigerator thinking it was orange juice; and McIntosh finding his father passed out on the living room carpet—“between couch and coffee table”—before he went to school in the morning. “24,” however, is one of the most memorable selections, powered by devastating detail and insight: “The cold booze hands around glasses and ice / taking you from yourself and your family / leaving you lying face down on carpets / couches car seats garage floors / Wake up / razors in your eyes / sour anger in your heart / go back for more.”

Many readers will relate to the complex dynamic and relationship phases of McIntosh and his father, which moves from admiration to disillusionment, anger, and, finally, some level of understanding and acceptance after the latter’s death. In “18,” the poet recalls buying a 1969 Harley Sportster because of his father’s love of motorcycles: “I only had it because of you / trying to be you.” Later, as a father himself, McIntosh loses his temper with his wife and unsettlingly realizes the similarities between himself and his father: “The snapping blast of anger so like your own.” Meeting up with his father at a Beverly Hills restaurant later in life—and watching him drink alcohol before piloting the next morning—leaves McIntosh disappointed and saddened: “Sons want their fathers perfect.” The wistful, nostalgic aspect of this collection can’t be overstated; McIntosh takes readers back to a simpler, or perhaps more naïve, time with numerous references that make the 1960s and ‘70s setting come alive, from rotary phones to Ovaltine and the smell of his father’s Aqua Velva aftershave. Indeed, the poet’s frequent use of sensory description immerses the reader in his recollections: “I smell Yuban coffee and…Domino sugar / whiskey and old struck out hotel matchbooks / Kool menthols and Dial soap.”

A highly recommended set of poems by an author unpacking a troubled relationship with a parent.

Pub Date: April 1, 2025

ISBN: 9798988052814

Page Count: 124

Publisher: Pinehead Press

Review Posted Online: Nov. 8, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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