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Gone On Kauai

An exciting new installment in Perry’s detective series.

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A woman disappears on the island of Kauai, Hawaii, in this second novel in Perry’s (Barbarous Coasts, 2013) Karl Standt series.

Former NYPD detective Standt takes on a private assignment from Sam Wilcox, the father of Amanda Wilcox, a woman who went missing off the coast of Kauai while paddle-boarding on a calm day. The sheriff deemed it a death by shark attack, due to the state of her board when it was eventually found. But her body hasn’t turned up, and other people on the island, including a cop, Chris Ke’alohilani, believe the board was doctored. Amanda was working for an organization publicizing the damaging effects of genetically modified plants, and at first, Standt’s only leads seem to point to Monsanto, a company researching and producing genetically modified plants on the island. But Standt soon uncovers Amanda’s addiction to painkillers and her possible connection to unsavory drug dealers. With the help of others, including Chris K. Church (a lanky loner and computer whiz), Katie Hudson (Standt’s journalist girlfriend, reporting for Slate magazine) and real-life actress Scarlett Johansson (Amanda’s childhood friend), Standt unravels the truth about Amanda’s disappearance and risks his life to go after the seedy men involved. Perry reprises his Karl Standt character here, but this novel can easily stand on its own. The island of Kauai is a character in itself (“the flat river moved with a hypnotic slowness, like heavy floodwaters”), and Perry effectively describes its culture, including the super-rich who view Kauai as a trust-fund playground, the surfing locals who personify the laid-back island vibe, and the plague of drugs that are harvested and sold there. Perry depicts the different sides of island life through the perspective of New Yorker Standt, who’s out of his element but relies on his instincts. Although the plot sometimes glosses over details, it eventually provides a thrilling revelation.

An exciting new installment in Perry’s detective series. 

Pub Date: Nov. 17, 2013

ISBN: N/A

Page Count: 214

Publisher: Web Dispatches Publishing

Review Posted Online: March 2, 2014

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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