by Bruce W. Perry ‧ RELEASE DATE: Nov. 1, 2014
A skillful tale of an American’s trauma and expatriation.
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A young Iraq War veteran tries to escape his past in Perry’s (More Beautiful Women, 2015, etc.) latest novel.
In 2008, 26-year-old Jesse McCallister is fresh from the battlefields of Iraq. Rather than returning to the Army for an ordered third tour, Jesse takes his share of the proceeds from the sale of his dead parents’ land and flees his native Texas for Europe. “He’d just wanted to go,” Perry writes, “and watch the flat horizons of the Iraqi desert and North Texas recede in his rear-view mirror.” In Switzerland, Jesse falls in love with a beautiful Italian waitress named Sonya and falls in with a crowd centered around a wealthy young American named Michael Barnes. Barnes helps Jesse acquire a new passport, literally and figuratively giving him the opportunity to choose a new identity for himself. Jesse and Sonya soon marry, and the newly formed group of friends wanders down to the French Riviera. While the immediate moment is filled with pleasure, Jesse can’t escape the traumas of combat in Ramadi. And Jesse is not the only one of these young people with a past to escape. The present itself becomes more troubled, as the group migrates to Côte d’Ivoire in Africa with charitable intentions. The dialogue in the novel is often less than believable—Jesse picks up Sonya with the line “You look like a pretty actress. Like someone in the movies.” Much more strongly developed is Jesse’s interior life. Perry deftly draws Jesse’s memories into the present. The novel resembles the post–World War I Lost Generation works of F. Scott Fitzgerald and Ernest Hemingway, most notably the latter’s The Sun Also Rises (which also features a character named Barnes). Aside from the appearance of modern elements like cellphones and credit cards, this story could almost take place 80 years earlier. The author effectively builds on his historical model while making it relevant to the key events of the contemporary era, such as the 2008 financial crisis and the Iraq War.
A skillful tale of an American’s trauma and expatriation.Pub Date: Nov. 1, 2014
ISBN: N/A
Page Count: 265
Publisher: Web Dispatches Publishing
Review Posted Online: May 6, 2016
Kirkus Reviews Issue: June 15, 2016
Review Program: Kirkus Indie
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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