A diverting whodunit bolstered by a laudable, complex detective.
A California private eye puts himself and others in peril while digging into a triple-murder cold case in this first installment of a thriller series.
Chad Kidd, a former Palm Springs cop-turned-private investigator, looks into the murder of Chloe Nelson from four years ago. She was the teenage daughter of Kidd’s former colleague Phil Nelson, a retired lieutenant. Firefighters found the charred remains of Chloe; her mother (and Phil’s ex-wife), Diana; and Diana’s boyfriend, Dan Brady, at a house fire, though all three were dead from gunshots. But as Chloe’s burning body was in a wheelbarrow in the front yard, Kidd and Phil surmise the teen was the primary target. There’s a slew of people for Kidd to interrogate, from Lizzy Grant (the teen’s best friend who’s devoted a Facebook page to finding the killer) to Jay Strait (Chloe’s ex-boyfriend who Lizzy and Phil are convinced is guilty). Before long, an anonymous Facebook message and phone call threaten Lizzy to stay quiet, and Kidd notices a Dodge Charger following him around. While the PI updates his growing suspect list, he also notes a possible tie between drug dealers and the murder case. The increasingly dangerous investigation ultimately leads to further intimidation, more than one kidnapping, and, sadly, additional deaths. Perry (To the North, 2018, etc.) gets this swift mystery off to a running start, with Kidd already investigating and Phil providing case details. Readers only know as much as the detective, and identifying the culprit who committed the murders isn’t easy. Moreover, Kidd becomes a more complicated character as the story continues. He starts a dalliance with someone connected to the case and is flustered by the impending release of Goran Markovic, who had been awaiting trial for gunning down Kidd’s cop fiancee, Erin Jade. Though the mystery eventually unravels on its own, it’s still a treat to watch the sleuth in frequent scenes of interrogations. His easygoing demeanor tends to make others talkative, and he has a holstered Glock 17 in case the interviewee turns aggressive.
A diverting whodunit bolstered by a laudable, complex detective.Pub Date: April 10, 2019
ISBN: 978-1-09-336820-8
Page Count: 317
Publisher: Time Tunnel Media
Review Posted Online: April 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.
A forsaken family bound by grief still struggles to pick up the pieces 12 years after their mother’s death.
When famous author Gil Coleman sees “his dead wife standing on the pavement below” from a bookshop window in a small town on the southern coast of England, he follows her, but to no avail, and takes a near-fatal fall off a walkway on the beach. As soon as they hear word of his accident, Gil’s grown daughters, Nan and Flora, drop everything and return to their seaside family home in Spanish Green. Though her father’s health is dire, Flora, Gil’s youngest, can’t help but be consumed by the thought that her mother, Ingrid—who went missing and presumably drowned (though the body was never found) off the coast more than a decade ago—could be alive, wandering the streets of their town. British author Fuller’s second novel (Our Endless Numbered Days, 2015) is nimbly told from two alternating perspectives: Flora’s, as she re-evaluates the loose ends of her mother’s ambiguous disappearance; and Ingrid’s, through a series of candid letters she writes, but never delivers, to Gil in the month leading up to the day she vanishes. The most compelling parts of this novel unfold in Ingrid’s letters, in which she chronicles the dissolution of her 16-year marriage to Gil, beginning when they first meet in 1976: Gil is her alluring professor, they engage in a furtive love affair, and fall into a hasty union precipitated by an unexpected pregnancy; Gil gains literary fame, and Ingrid is left to tackle motherhood alone (including two miscarriages); and it all bitterly culminates in the discovery of an irrevocable betrayal. Unbeknownst to Gil and his daughters, these letters remain hidden, neglected, in troves of books throughout the house, and the truth lies seductively within reach. Fuller’s tale is eloquent, harrowing, and raw, but it’s often muddled by tired, cloying dialogue. And whereas Ingrid shines as a protagonist at large, the supporting characters are lacking in depth.
Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.Pub Date: Feb. 7, 2017
ISBN: 978-941040-51-5
Page Count: 368
Publisher: Tin House
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
The fine Israeli writer Yehoshua (Open Heart, 1996, etc.) makes a lengthy journey into the year 999, the end of the first millennium. Indeed, it is the idea of a great journey that is the heart of the story here. Ben Attar, a Moroccan Jewish merchant has come a long distance to France to seek out his nephew and former partner Abulafia. Ben Attar, the nephew, and a third partner, the Muslim Abu Lutfi, had once done a lucrative business importing spices and treasures from the Atlas Mountains to eager buyers in medieval Europe. But now their partnership has been threatened by a complex series of events, with Abulafia married to a pious Jewish widow who objects vehemently to Ben Attar’s two wives. Accompanied by a Spanish rabbi, whose cleverness is belied by his seeming ineffectualness; the rabbi’s young son, Abu Lutfi; the two wives; a timorous black slave boy, and a crew of Arab sailors, the merchant has come to Europe to fight for his former partnership. The battle takes place in two makeshift courtrooms in the isolated Jewish communities of the French countryside, in scenes depicted with extraordinary vividness. Yehoshua tells this complex, densely layered story of love, sexuality, betrayal and “the twilight days, [when] faiths [are] sharpened in the join between one millennium and the next” in a richly allusive, languorous prose, full of lengthy, packed sentences, with clauses tumbling one after another. De Lange’s translation is sensitively nuanced and elegant, catching the strangely hypnotic rhythms of Yehoshua’s style. As the story draws toward its tragic conclusion—but not the one you might expect—the effect is moving, subtle, at once both cerebral and emotional. One of Yehoshua’s most fully realized works: a masterpiece.
Pub Date: Jan. 19, 1999
ISBN: 0-385-48882-3
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
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