This thoughtful work of art comes together with beauty and meaning.
Award-winning illustrator Collier sets images of the present and the past against the text of a beloved song.
Lyrics of “We Shall Overcome,” a song associated with the 1960s-era civil rights movement, are printed in orange capital letters against a strip of brown background along the bottom of each spread. The pictures tell stories, juxtaposing present-day scenes and children in full color against significant events and sites of past struggle in black and white. Endmatter explains the significance of said sites and scenes for those who may not know: the Sixteenth Street Baptist Church, Rosa Parks sitting down on a bus, children integrating schools. The opening spreads feature a school-age Black child rising and getting ready for the day with a smile; the middle spreads show the child arriving at school and learning with a multiracial group of peers, a Black teacher at the head of the class. Final spreads show the child walking by a street being painted with Black Lives Matter in yellow, then small crowds standing together and painting a mural together. Collier uses collage with a multitude of faces and layers to place the times and movements in relationship, creating a powerful opportunity for comparison, reflection, and discussion about the past and present. The opening and closing spreads with the smiling child offer the hopeful message Collier reinforces in his note.
This thoughtful work of art comes together with beauty and meaning. (historical note, illustrator's note) (Picture book. 3-10)Pub Date: Dec. 28, 2021
ISBN: 978-1-338-54037-6
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: July 29, 2021
Kirkus Reviews Issue: Aug. 15, 2021
PERSPECTIVES
PERSPECTIVES
Necessary and empowering.
Olympic gold medalist Raisman, who in 2017 spoke out about the sexual abuse she’d endured, presents a primer on bodily autonomy.
“I am strong. I am beautiful. I am unique. I am enough.” So begin the affirmations that appear in this sensitively written book. Raisman underscores the importance of being kind to one’s body and listening to what it needs. She notes that others need to ask permission before touching our bodies; sometimes the answer will be yes, but other times, it will be no. Either is acceptable. Sometimes, someone will forget to ask or won’t respect the answer. When that happens, children can tell them to stop. If they feel unsafe, and it’s hard to say no, they can ask for help from people who make them feel safe. Our voices are just as “powerful,” “beautiful,” and “worthy” as our bodies. Emphasizing the strength inherent in every person—and making clear that we all deserve respect—Raisman has created a much-needed resource for starting a dialogue about consent. Backmatter offers tips for adults about discussing bodies and boundaries. Jackson’s expressive, pastorally soft illustrations depict people, diverse in terms of race, ability, and body type, practicing gymnastics, gardening, and playing basketball. A light-skinned girl wearing a shirt reading “Aly,” presumably a stand-in for the author, features prominently.
Necessary and empowering. (author’s note) (Picture book. 3-8)Pub Date: April 2, 2024
ISBN: 9781250798107
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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