Under the pretense of writing his dissertation, fearless graduate student Ian Lawrence finds himself at the center of Germany’s most savage organized crime syndicate in Devore’s debut thriller.
Lawrence, a Kansas native who once spent his time chasing after tornados, is fighting to help Germany eradicate mafias and senseless criminal brutalities with the help of legendary activist group the White Rose. On the other side of the world, his older, tax-accountant brother, James, reminisces on their childhood together. Though they have grown distant since the tragic death of their 10-year-old sister, James immediately hops a red eye to Germany upon hearing of his brother’s disappearance. Oblivious to the mess Ian has created, James barely survives the gun-slinging mobster Vlastos, who mistakes him for his brother. Instead of creating generic characters that fulfill traditional mafia roles, Devore gives each character a unique personality. A far cry from dim-witted mafia figures, Vlastos has a cold-blooded intelligence that drives his every action and comes to life with timely Shakespearean dialogues such as, “Not that I loved Caesar less, but I loved Rome more.” Despite the pure evil inherent in his character, part of the reader will undoubtedly distinguish the potential for good. On the other hand, the do-good Lawrence brothers, in their quest to dismantle organized crime, are on the cusp of engaging in criminal activities. The paradox of good and bad in all of Devore’s characters will be endearing to readers; humans are a flawed species. Moreover, the narrative boasts a distinctly cinematic impression: two daredevil brothers rekindling their relationship as they infiltrate the depths of organized crime in a foreign country. From chaos in a casino to James’ crafty escape as he stares down the barrel of a rifle, every scene is made memorable by chilling descriptions and dialogue. As the Lawrence brothers are relentlessly hunted, they shatter the barrier of morality and do what they must to survive and bring about sweeping change. An enticing plotline, lifelike characters, high octane prose and penetrating visualizations combine to create a compelling, hair-raising story that may not be as far from reality as readers may think.
Pub Date: April 15, 2013
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: April 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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