Washington brilliantly commits to his style and preoccupations in a novel about the often winding journey to family.
Food, family, and sex drive this intimate novel about the difficult search for true connections.
After the tragic death of his boyfriend, Cam returns to Houston adrift, struggling with drug and sex addiction, and often seeing Kai’s ghost. He gets a job as a bartender and finds himself pulled into the life and family of TJ, his former best friend, from whom he had drifted. Cam’s grief and TJ’s resentment keep them from fully reconciling, while Cam’s addictions slowly overpower him. Readers of Washington’s other work will find a familiar style and themes here. There are several narrators who tell the story in sections, some as short as a sentence or two. The characters are rarely alone but feel isolated or alienated from their families. For a book driven by dialogue, the characters often talk at a slant, not quite saying what’s actually on their minds. The characters are part of both biological and built families. Cam and TJ grew up together and are closer than brothers. Co-workers aren’t just colleagues, but members of a family focused on achieving something together, whether that’s hanging on to one of the last gay bars in a fast-gentrifying Houston neighborhood or nourishing body and soul in TJ’s family bakery. Grief over Kai’s death creates another network. Characters find themselves pushed and pulled from their families in an often futile attempt to get away. The many families in the book are brought together through the act of cooking, and few writers bring food to life like Washington. When things are going well, the kitchens here are humming. People know exactly where everything is located, the cooks communicate almost telepathically, and the reader can nearly taste the food. Thankfully, Washington luxuriates in descriptions of smells, tastes, and textures without letting the narrative get bogged down. Many of the characters are happiest when they’re cooking or eating because that allows them to communicate without the burden of words. As Kai says, “My family taught me the difference between acceptance, allowance, and understanding. Also: just being. Sometimes they overlap. Usually, they don’t.”
Washington brilliantly commits to his style and preoccupations in a novel about the often winding journey to family.Pub Date: Oct. 10, 2023
ISBN: 9780593421093
Page Count: 320
Publisher: Riverhead
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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