A pleasantly understated alternative to the many frenetic apps on the market
As might be expected for a god, Hermes’ beginnings are far from ordinary.
Born at dawn, he eats nonstop and grows prodigiously—as the uncredited text reads, “The day of his birth was exceptionally trying for his poor mother.” Bored by nightfall, he slips out of the cave and straightaway happens upon a herd of “lovely cows,” which he steals before butchering and eating two of them. “Woe unto Hermes,” though, as those lovely cows just happen to be Apollo’s. As apology, Hermes presents Apollo with the first lyre—partly made from the horns of one of Apollo’s dead cows. Illustrations are largely watercolor with some collaged-in elements, most notably a cherubic Victorian face that cleverly belies Hermes’ naughtiness. The app is minimally interactive, opting for subtle animation and sound effects over finger taps in a way that prioritizes the story. The text is exceptionally well-synced to both pleasingly accented narration and page turns, but there is no advanced navigation or options. At the end of the story, children are rewarded with the opportunity to drive Hermes around in a bumper car, bashing the developer’s other characters (Bluebeard, Baba Yaga and Punch) and revealing satisfyingly puerile jokes with each crash. Its greatest liability is the absence of any kind of source note to contextualize the myth for children not already familiar with it. [Editor's note: background information added in version 1.1, May 12, 2013.]
A pleasantly understated alternative to the many frenetic apps on the market . (iPad storybook app. 4-8)Pub Date: Jan. 4, 2013
ISBN: N/A
Page Count: -
Publisher: BumpBump Books
Review Posted Online: March 2, 2013
Kirkus Reviews Issue: March 15, 2013
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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