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WRITE MORE GOOD

AN ABSOLUTELY PHONY GUIDE

An acerbic, witty guide to journalism that, if used, would get you fired.

The Bureau Chiefs, the team behind the Twitter feed @FakeAPStylebook, have finally figured out a way to get paid as journalists: Adapt the hilarious Twitter account into an all-encompassing stylebook of the ridiculous. But instead of simply hitting print on their browser page and handing it to a publisher like so many other Internet sensations, the authors have put serious effort into this collection, which includes more than 90 percent original material. They've simplified how to report crime, politics and the supernatural, among other typical journalism beats, with advice such as, “Use ‘disgraced politician’ on first use, ‘expert political analyst’ on later mention.” The authors embrace the comforts of mobile technology and encourage other journalists to do the same. War reporters are instructed to stay cozy under their sheets, so they won’t lying when they tell their editors they are “embedded.” Other sage witticisms include proper use of the term “World War,” which should be employed when describing “conflicts involving countries on at least three continents. For largescale battles against clones, killer tomatoes, or a fifty-foot woman, use ‘attack’ instead.” The authors also highlight the proper way to cite sources, the fine points of grammar and media law and each chapter comes with its own glossary of terms. Funny tips and quips celebrating the dying art of journalism and the shamefully low standards imposed on media types thanks to the Internet.

 

Pub Date: April 5, 2011

ISBN: 978-0-307-71958-4

Page Count: 272

Publisher: Three Rivers/Crown

Review Posted Online: April 3, 2011

Kirkus Reviews Issue: April 1, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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