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THE HAZE

A knotty and satisfying tale of action, drama, and secrets.

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A weathered CIA agent takes on a new mission in this debut spy novel featuring multinational intrigue.

Hawkes’ intricate tale is set in 2013, when Hector Kane, a CIA operative masquerading as a college professor, is leading a class trip to Pulau, a fictional island nation in Southeast Asia. For the last three years, Kane has been a professor at the American Institute of Middle Eastern Studies in Cairo, where his father once taught. The institute has a history with the Pentagon, which uses it as a cover to plant soldiers and spies in the Middle East. Even the university trip to Pulau, ostensibly for academic purposes, is a sham—an excuse for Kane to get close to Fatima Noman, one of the students. Fatima is the dean’s niece—but more importantly, her father, Ibrahim Noman, holds tremendous political sway in Egypt. In 2011, his organization, Haram, was a platform for political activism, earning him the sobriquet “Godfather of the Revolution.” Now, Ibrahim runs Tamarod, a political venture to depose the Muslim Brotherhood and redo the last election. Kane’s mission is called Operation C.O.R.O.N.A., the purpose of which is “to abort the Egyptian anti-democratic movement known as Tamarod.” Fatima is a key piece of the plan: Kane, working with Pulau operatives, has been instructed to inject Fatima with KV-19, a coronavirus that causes severe respiratory symptoms. With Fatima infected, the CIA’s Cairo office will use her health as a bargaining chip to force Ibrahim to abort Tamarod. But it’s uncertain if this is the true mission, and Kane must wade through the waters of intrigue and a throng of geopolitical jostling to make sense of the situation. Like a good spy, he knows there’s no one to trust—least of all, his CIA handlers and associates.

Hawkes is a wonderfully vivid writer, using striking descriptions to illustrate character and place. “Her cheeks were stamped by butterfly freckles,” he writes of Fatima. The author’s passages about Pulau bring to life the island, with its “yacht-gorged harbor.” “Despite the tyranny of the haze,” Hawkes writes, “the city lived up to its reputation. Dazzling lights enlivening its streets and adorning its billion trees.” Given the author’s facility to make a story lively and urgent with clarity and details, the tale’s frequent digressions into the past become distracting, even frustrating. Hawkes is eager to establish Kane’s trajectory through the agency, rife with failures and frustrations. When Kane encounters a new character, the event often launches a backstory that tends to be too lengthy. With some characters, like Ibrahim, this backtracking is meant to lend the tale’s present the proper stakes. With others, it seems that Hawkes enjoys shading in the past even if it threatens the momentum of the fictional present. The novel’s swift and excellent prelude, for instance, shows what the author is capable of when his foot stays on the gas. Still, the story is enjoyably twisty, full of duplicity and deception, and portrays complicated characters who have competing allegiances and motives. The book also deftly depicts the frighteningly labyrinthine bureaucracy of the intelligence community.

A knotty and satisfying tale of action, drama, and secrets.

Pub Date: Jan. 7, 2021

ISBN: 978-1-77-726969-2

Page Count: 428

Publisher: Athena Book Tavern

Review Posted Online: May 20, 2021

Kirkus Reviews Issue: July 15, 2021

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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