by Busy Philipps ‧ RELEASE DATE: Oct. 23, 2018
Ultimately, the book is a page-turner, albeit one in which the need for the readers’ approval is felt on nearly every page.
A highly candid, tell-all memoir from the cult-favorite actress.
In a book that often reads like a Real World confessional or an open diary, the Cougar Town star bares all in recounting her rise to fame: from childhood passion to become an actress to fraught teen years getting in with the wrong crowd and terminating a pregnancy to facing sexism in Hollywood to dating Colin Hanks to landing a role on Dawson’s Creek to countless failed auditions to falling in love with and then considering divorcing her husband. While the honesty is refreshing, much like her Instagram persona, the narrative occasionally comes across as narcissistic. Philipps is open about her overwhelming need to be liked and included, a sentiment that provides the throughline of the book. For example, she chronicles the time she dislocated her knee at a middle school dance because she wanted to see why boys where moshing to “Smells Like Teen Spirit.” “That is what I get for wanting to know what was going on,” she writes, “for wanting to be a part of things, for wanting more….It’s too bad I didn’t realize the life lesson I was being handed. Because maybe, possibly, it would have saved me from even more pain in the years to come.” At the same time, Philipps is happy to dole out some literary retribution, calling out some of those who have wronged her—e.g., she calls Freaks & Geeks co-star James Franco “a fucking bully” and Modern Family director Steven Levitan “a fucking asshole” who enjoys “the joy of being an oblivious super successful white man” in showbiz. But while the author is quick to point the finger, she's also her own harshest critic. In explaining her Instagram use, she writes, “the reason I started the stories…was because I was lonely.”
Ultimately, the book is a page-turner, albeit one in which the need for the readers’ approval is felt on nearly every page.Pub Date: Oct. 23, 2018
ISBN: 978-1-5011-8471-0
Page Count: 288
Publisher: N/A
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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