Ultimately, the book is a page-turner, albeit one in which the need for the readers’ approval is felt on nearly every page.
A highly candid, tell-all memoir from the cult-favorite actress.
In a book that often reads like a Real World confessional or an open diary, the Cougar Town star bares all in recounting her rise to fame: from childhood passion to become an actress to fraught teen years getting in with the wrong crowd and terminating a pregnancy to facing sexism in Hollywood to dating Colin Hanks to landing a role on Dawson’s Creek to countless failed auditions to falling in love with and then considering divorcing her husband. While the honesty is refreshing, much like her Instagram persona, the narrative occasionally comes across as narcissistic. Philipps is open about her overwhelming need to be liked and included, a sentiment that provides the throughline of the book. For example, she chronicles the time she dislocated her knee at a middle school dance because she wanted to see why boys where moshing to “Smells Like Teen Spirit.” “That is what I get for wanting to know what was going on,” she writes, “for wanting to be a part of things, for wanting more….It’s too bad I didn’t realize the life lesson I was being handed. Because maybe, possibly, it would have saved me from even more pain in the years to come.” At the same time, Philipps is happy to dole out some literary retribution, calling out some of those who have wronged her—e.g., she calls Freaks & Geeks co-star James Franco “a fucking bully” and Modern Family director Steven Levitan “a fucking asshole” who enjoys “the joy of being an oblivious super successful white man” in showbiz. But while the author is quick to point the finger, she's also her own harshest critic. In explaining her Instagram use, she writes, “the reason I started the stories…was because I was lonely.”
Ultimately, the book is a page-turner, albeit one in which the need for the readers’ approval is felt on nearly every page.Pub Date: Oct. 23, 2018
ISBN: 978-1-5011-8471-0
Page Count: 288
Publisher: N/A
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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