by C.L. Sherman ; illustrated by C.L. Sherman ‧ RELEASE DATE: Dec. 6, 2015
A leisurely plotted fantasy series opener.
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Rolling Stone & Kirkus' Best Music Books of None
This YA debut sees a teenager’s car accident expose her connection to the supposedly mythological Poseidon.
High school senior Callista Ann Sunders and her twin brother, Tad, live on the coast of southern California with their family. Meredith, their mom, is a lawyer, but their father died from a heart attack two years ago. Grandma Anne runs a store called The Broom and Trident and knows that the family has Selkie (sea folk) blood running through it. One day, Anne has a vision and tells Callista: “Don’t drive in the rain today.” Later, as Callista drives to pick up Tad from swim practice, a vehicle forces her truck from the rain-slicked road, through the guardrail, and into the ocean. She struggles to escape the rapidly flooding cabin when a dashing rescuer appears. Callista’s hero is none other than Triton of Greek mythology. He gets her to the hospital, where she lies comatose thanks to the toxic sting of a stonefish. Meanwhile, Tad experiences an elaborate dream that reveals Prince Triton once trysted with Princess Nehalennia, who had been betrothed to his half brother, Proteus. This got Triton banished from Poseidon’s royal family. Triton has now dedicated his life to medicine and plans to keep the bewitching Callista safe even if it means the draining of his own godlike energy. In this fantasy series opener, Sherman (Ocean Depths: A Time, 2017) deftly explores the concepts of healing and transformation—both emotional and literal—by viewing Greek myth through a Twilight-style lens. The author’s own illustrations depict key moments, like Callista’s near death in the truck and Triton and Proteus in merman form, further transporting readers to the shore and beneath the sea. Though Callista spends much of her time convalescing, she does have the presence of mind to ask the mysterious Triton: “Why would someone of your education, age, good looks, and health be interested in me?” Indeed, the answer combines numerous captivating motifs (including mermaid dreams and witchcraft), yet the primary narrative arc—the romance—is paced quite slowly. Readers expecting a strong heroine may flinch at Callista’s dependence on Triton’s healing touch and lavish home. The author also throws down the gauntlet when Triton says: “Life starts from conception for us all.” Fractious events and surprise returns clear the decks for the sequel.
A leisurely plotted fantasy series opener.Pub Date: Dec. 6, 2015
ISBN: N/A
Page Count: 384
Publisher: Wheatmark, Inc.
Review Posted Online: Jan. 24, 2019
Review Program: Kirkus Indie
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by C.L. Sherman
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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