Familiar sci-fi/fantasy tropes, but an entertaining read thanks to effective dialogue.
A 16-year-old discovers his true purpose as a Change Agent for good in this debut YA novel.
On his 16th birthday, William Hawk has a vision: “I saw the kitchen, the house, the neighborhood, the world, and the universe, all bound together in a breathtaking, vibrating, color-saturated web.” After attacking a boy (thanks to new power, surging emotions, and jumping to conclusions), William goes on the run. Hitchhiking, he’s picked up by Cy, an elderly Native American who has much to teach. He takes William to a cave, the Hall of Knowledge, covered with drawings and symbols. Meanwhile, Grace, another 16-year-old, lies in a deep coma but can communicate with William telepathically; she asks to be rescued. It seems that William and Grace are Change Agents, meant to help civilization achieve its “final ignition point” and become “one with the light.” Working against them is Roivas, Grace’s malicious twin brother, who murders William’s family and hopes to short-circuit civilization’s ignition. William and his friends must overcome a multitude of problems so that he can enter the spiritual realm, find Grace, and defeat Roivas. By the end, William can count some victories, but he still has work to do. Salow’s novel employs a somewhat threadbare plot element from YA sci-fi/fantasy: the seemingly ordinary teenager with a special destiny whose hidden strengths can save the world. Also overly familiar is the magical-minority trope, in which a Native American, Asian, or African-American seems to exist to serve the white character and has access to wisdom and knowledge that Caucasians don’t. Cy’s legends don’t even make sense as Native American—“Apollyon,” for example, is a Greek translation of a Hebrew word. The tale’s lore altogether is a bit abstract. And the slaughter of William’s family seems a bit drastic. But the story is well-written, with vivid minor characters such as William’s girlfriend, Julia, and his best friend, Arthur, who contribute to the action and help remind the reader that the hero once had an ordinary life full of kidding around and other teenage concerns.
Familiar sci-fi/fantasy tropes, but an entertaining read thanks to effective dialogue.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Aug. 9, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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