A fun escape enhanced by pointed social commentary.
Sloan presents a raucous satirical novel about obsessive fans of a popular TV series.
It is almost 10 p.m. on a Thursday evening in Arleta, California, a working-class suburb of Los Angeles, and the weekly episode of Suffer is about to begin. The megahit crime series stars Roxy DeVine as the intrepid Marcia Suffer, a crime-fighting attorney by day and a vigilante by night. Four Suffer superfans are gathered around the television for their weekly ritual of watching the show and then recording their own YouTube after-show, The Suffergettes of Arleta. The tightly knit group consists of 23-year-old Theodosia “Theo” Marks, a part-time college student and caretaker of her elderly aunt; Theo’s 16-year-old half sister, Pristine “Pris” Flores, who’s been diagnosed with high-functioning autism; charming nurse Sam Ruiz, Theo’s best friend; and Theo’s 79-year-old great-aunt, Dotty Miller. They all know the pain of being outcasts, and they revel in Suffer’s theme of righteous, albeit violent, revenge. Theo, Pris, and Sam attend the DramaCon LA convention and enter a contest in which the winner will host Roxy DeVine at their home for a season-finale viewing party; all they need to do is submit a video. Meanwhile, an epic battle between show creator Marelle May and beloved star Roxy DeVine is reaching full throttle; the outcome could change the show, and its superfans’ lives, forever. Sloan makes full use of her background as a writer and producer in the network television industry to deliver a solid parody of today’s celebrity YouTube culture and the scurrilous, pompous, behind-the-scenes network power brokers and their revolving door of minions. Undergirding the farce, with its moments of slapstick, is the quirky foursome whom Sloan develops into likable, three-dimensional characters. The portrayal of Pris is especially delightful, offering a realistic and positive portrayal of life with autism. More serious issues, such as bullying, the capricious nature of fame, and the power of supportive friendships, are woven through the comedy. The carefully scripted dialogue, engaging conversational prose, and free-wheeling storyline, alternating between the Arleta protagonists and the Hollywood crew, result in a brisk read.
A fun escape enhanced by pointed social commentary.Pub Date: N/A
ISBN: 9798986326702
Page Count: -
Publisher: Trojan Cat Media
Review Posted Online: May 19, 2023
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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