This debut medieval romance sees a traumatized teen regain her passion for life, with the help of a man haunted by his own tragic past.
In 1122, in the kingdom of Blinth, a young teen runs in panic through the woods before finally collapsing. She awakens next to a stag that tells her that the men following her are friendly and that she should go with them in order to heal the cuts on her feet. Tristam, the leader of the hunting party, carries her to King Stefan’s castle. However, once her fever breaks, she finds herself unable to speak or remember anything about her past. Tristam names her Grace and takes a personal interest in her recovery. He’s still healing as well, after losing his wife and daughter in the woods years ago, and he grows closer to the foreign girl at the risk of his own reputation. Eventually, Grace starts communicating through sign language, going to school, and enjoying close friendships inside and outside the castle. But both she and Tristam sense a tragedy in her past that she’s blocked out completely. Will their deepening bond help or hinder her full recovery? Arnold sets her incredibly layered narrative in a Christian kingdom while offering mystery, romance and a parable on the power of healing. The chapters alternate between Tristam’s and Grace’s first-person accounts, and the author emphasizes the sense of touch throughout, characterized by tender dignity: “I go to him,” says Grace, “and wrap him in my arms as best I can. I stroke his hair. I kiss his brow.” However, this is also a story about healing from sexual abuse, and Arnold handles the traumatic subject with exceptional realism, particularly when she depicts Grace’s oscillation between isolation and acceptance. Splendid secondary characters, such as Becca and Geneva, keep the tale from becoming too dour. Grace’s headmaster provides moments of wisdom, as when she tells Grace in a moment of doubt, “[M]any times those who are different are indeed our brightest.” Plenty of court intrigue and a stunning twist at the end could bring readers back for a sequel.
A glowing, potent fantasy tale for teens and adults.
Pub Date: July 12, 2012
ISBN: 978-1-936447-06-0
Page Count: 318
Publisher: CreateSpace
Review Posted Online: July 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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