A winning debut: traditional in all aspects and remarkably adept.
A witty and sophisticated tragicomedy of errors that echoes the melancholic delight of The Great Gatsby.
Protected by the careless elegance of old-money wealth, a small group of Manhattan friends attempt to preserve the irresponsible ease and glory of their prep-school days. George, the likable, sincere, if slightly plodding narrator, recalls the not so distant past, when each of the five was trying for a profitable career or marriage. Chat, George's friend at Dartmouth, is prissy and complaining in that endearing, hard-drinking Noel Coward kind of way. Aside from shared history and jokes, it is their mutual admiration of Kate Goodenow that holds them together. Patrician and flippant, Kate is the very definition of good breeding and the universal object of desire. Into the cozy trio stumbles Harry Lombardi, who lacks what is prized most—good manners and a good name—and possesses in great abundance what is ubiquitously scorned: ambition. A computer whiz from Jersey, he quit Dartmouth after a year to pursue high finance. Although a legend on Wall Street, he is nonetheless ridiculed by the clique for his jittery enthusiasm and bumbling etiquette. And he won't quit harping on his new financial venture—some kind of World Wide Web that will change the world. To the horror of George and Chat, Harry in his naive impertinence aims for Kate, and they are soon engaged. Sweeping back and forth from their prep-school days to the forced, aimless pursuit of pleasure that occupies their present, the narrative effortlessly builds a collection of scenes that serve to perfectly reveal the ragged edges beneath the characters’ glossy veneers. More an exposé than a plot-driven work, the tangled fates of Harry, Kate, George, and Chat are thrown for a loop when a couple of very real ghosts from the past threaten to ruin their fun.
A winning debut: traditional in all aspects and remarkably adept.Pub Date: May 1, 2000
ISBN: 0-375-50413-3
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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