Half feminist comedy, half romance novel—a genre whose time has come.
A 19-year-old British rock critic contends with big egos, endless partying, a great love, and a sex tape in the 1990s.
Dolly Wilde, the pride of Wolverhampton, her alcoholic loser father (a slightly more functional cousin to William H. Macy's character in Shameless), and rock star John Kite, the love of her life, are back in Moran's high-spirited and hilarious sequel to How To Build a Girl (2014). Dolly's quest to become a famous writer and sexual adventuress is going pretty well when she hits a major snag in the form of a well-known young comedian named Jerry Sharp. This misogynist pig of a man, whom she runs into at a concert for which he has no ticket and kindly gets him admitted, manages to get Dolly back to his apartment not once, but twice. It is the second encounter that produces the VHS tape that nearly ruins Dolly's life. New in this continuation of Dolly's story are two wonderful characters, aspiring musician Suzanne Banks and her assistant, Julia. "Most people are built around a heart, and a nervous system. Suzanne appeared to be built around a whirlwind, kept trapped in a black glass jar. She appeared never to think before she spoke, took a drink, or opened a bottle of pills....She was like a bomb that kept exploding over and over." Meanwhile, the levelheaded and embattled Julia has to keep reminding her employer that the guitar is held with the "strings at the front." Some of the best parts of the book are Dolly's writing—articles titled "Ten Things I Have Noticed in Two Years of Interacting With Famous People" and "In Defense of Groupies," and, best of all, a letter to her beloved Mr. Kite explaining why teenage girls are the most important fans of all, "a power grid of energy...splitting their own atoms with love." Set in a time three decades before #MeToo, Dolly's ultra-sex-positive feminism is honed by her experiences with the evil Sharp and her connections with other women.
Half feminist comedy, half romance novel—a genre whose time has come.Pub Date: July 3, 2018
ISBN: 978-0-06-243377-0
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK TO SCREEN
IFC Films to Release How to Build a Girl Movie
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
