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HOW TO BE FAMOUS

Half feminist comedy, half romance novel—a genre whose time has come.

A 19-year-old British rock critic contends with big egos, endless partying, a great love, and a sex tape in the 1990s.

Dolly Wilde, the pride of Wolverhampton, her alcoholic loser father (a slightly more functional cousin to William H. Macy's character in Shameless), and rock star John Kite, the love of her life, are back in Moran's high-spirited and hilarious sequel to How To Build a Girl (2014). Dolly's quest to become a famous writer and sexual adventuress is going pretty well when she hits a major snag in the form of a well-known young comedian named Jerry Sharp. This misogynist pig of a man, whom she runs into at a concert for which he has no ticket and kindly gets him admitted, manages to get Dolly back to his apartment not once, but twice. It is the second encounter that produces the VHS tape that nearly ruins Dolly's life. New in this continuation of Dolly's story are two wonderful characters, aspiring musician Suzanne Banks and her assistant, Julia. "Most people are built around a heart, and a nervous system. Suzanne appeared to be built around a whirlwind, kept trapped in a black glass jar. She appeared never to think before she spoke, took a drink, or opened a bottle of pills....She was like a bomb that kept exploding over and over." Meanwhile, the levelheaded and embattled Julia has to keep reminding her employer that the guitar is held with the "strings at the front." Some of the best parts of the book are Dolly's writing—articles titled "Ten Things I Have Noticed in Two Years of Interacting With Famous People" and "In Defense of Groupies," and, best of all, a letter to her beloved Mr. Kite explaining why teenage girls are the most important fans of all, "a power grid of energy...splitting their own atoms with love." Set in a time three decades before #MeToo, Dolly's ultra-sex-positive feminism is honed by her experiences with the evil Sharp and her connections with other women.

Half feminist comedy, half romance novel—a genre whose time has come.

Pub Date: July 3, 2018

ISBN: 978-0-06-243377-0

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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