Half feminist comedy, half romance novel—a genre whose time has come.
A 19-year-old British rock critic contends with big egos, endless partying, a great love, and a sex tape in the 1990s.
Dolly Wilde, the pride of Wolverhampton, her alcoholic loser father (a slightly more functional cousin to William H. Macy's character in Shameless), and rock star John Kite, the love of her life, are back in Moran's high-spirited and hilarious sequel to How To Build a Girl (2014). Dolly's quest to become a famous writer and sexual adventuress is going pretty well when she hits a major snag in the form of a well-known young comedian named Jerry Sharp. This misogynist pig of a man, whom she runs into at a concert for which he has no ticket and kindly gets him admitted, manages to get Dolly back to his apartment not once, but twice. It is the second encounter that produces the VHS tape that nearly ruins Dolly's life. New in this continuation of Dolly's story are two wonderful characters, aspiring musician Suzanne Banks and her assistant, Julia. "Most people are built around a heart, and a nervous system. Suzanne appeared to be built around a whirlwind, kept trapped in a black glass jar. She appeared never to think before she spoke, took a drink, or opened a bottle of pills....She was like a bomb that kept exploding over and over." Meanwhile, the levelheaded and embattled Julia has to keep reminding her employer that the guitar is held with the "strings at the front." Some of the best parts of the book are Dolly's writing—articles titled "Ten Things I Have Noticed in Two Years of Interacting With Famous People" and "In Defense of Groupies," and, best of all, a letter to her beloved Mr. Kite explaining why teenage girls are the most important fans of all, "a power grid of energy...splitting their own atoms with love." Set in a time three decades before #MeToo, Dolly's ultra-sex-positive feminism is honed by her experiences with the evil Sharp and her connections with other women.
Half feminist comedy, half romance novel—a genre whose time has come.Pub Date: July 3, 2018
ISBN: 978-0-06-243377-0
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK TO SCREEN
IFC Films to Release How to Build a Girl Movie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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