A deeply humane and affecting psychological thriller by a debut author.
In a small town in southern Maine, the picture-perfect life enjoyed by an attorney, her husband, and their two children is invaded by violence and deceit when her brother-in-law, a college student, is brutally raped by a man who seems likely to escape justice.
Julia Hall last saw Detective John Rice in 2016 when Rice was investigating the rape of Julia’s 20-year-old brother-in-law, Nick. She'd hoped never to see the officer again. But three years later, she receives a call from Rice, now dying of cancer, who gently insists—to her mounting terror—that they revisit the past. “Back to the beginning?” Rice suggests. The tightly coiled narrative then returns to the night Nick Hall meets a charming stranger in a bar, goes back to his motel room, and is brutally assaulted. (The violence here, while disturbing, is never gratuitous.) Nick reports the crime, identifies his attacker, and attempts to heal with the help of his older half brother and lifetime protector, Tony, who is Julia’s upright and loving husband. A case that should be clear turns shadowy, however, when the perpetrator succeeds in damaging not only Nick’s credibility, but also his fragile identity. Because men "were supposed to win fights, be strong,” as Tony puts it, sympathizing with his brother’s anguish. In one of the novel’s most satisfying twists, however, it is Julia who faces the most extreme test of all. “The naive little house cat who believed in rules and order was being toppled by the puma who knew that some days, the only law is kill or be killed,” she realizes of herself as the novel reaches its sly denouement. Throughout, the author deftly employs alternating points of view to expose the psychological and emotional consequences of violence while sustaining a chilling atmosphere of suspense.
A deeply humane and affecting psychological thriller by a debut author.Pub Date: June 15, 2021
ISBN: 978-0-59-329613-4
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Gleefully sadistic, gloriously gratifying revenge fiction.
A frustrated advice columnist takes matters into her own hands.
Before dropping out of MIT during the second semester of her sophomore year, Debbie Mullen had designs on becoming the next Bill Gates. Now, almost 30 years later, the stay-at-home wife and mother of two uses her considerable genius to keep the Mullens’ Hingham, Massachusetts, household functioning “like a well-oiled machine.” In her spare time, Debbie also gardens and shares “the fruits of [her] wisdom” with neighbors via the weekly advice column she writes for Hingham Household, a local “family-oriented” newspaper. Though Debbie is proud of her husband and teen daughters’ accomplishments, her own life sometimes feels a bit empty. As such, she’s both honored and excited when Home Gardening magazine selects her backyard to feature in their next issue. Then, at the last minute, the publication decides to go in a different direction and instead spotlights the roses of her arch rival. Later that day, the editor-in-chief of Hingham Household axes her column because she’d counseled a reader to get a divorce. That evening, Debbie learns that her hard-working husband’s miserly boss refused his promotion request, her brilliant older daughter’s sketchy boyfriend broke her heart, and her athletically gifted younger daughter’s chauvinistic coach cut her from the soccer team for being “chubby.” Enough is enough. Debbie has always given great advice—everybody says so. If certain individuals don’t know what’s best for themselves, maybe it’s her obligation to help them see the light. Increasingly unhinged entries from a “Dear Debbie” drafts folder pepper the briskly paced, meticulously crafted tale, which unfolds courtesy of a pinwheeling first-person narrative. Some of the plot’s myriad twists are more impressive than others, but plucky, puckish Debbie is a nontraditional antihero for the ages.
Gleefully sadistic, gloriously gratifying revenge fiction.Pub Date: Jan. 27, 2026
ISBN: 9781464249624
Page Count: 336
Publisher: Poisoned Pen
Review Posted Online: Dec. 10, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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