A deeply humane and affecting psychological thriller by a debut author.
In a small town in southern Maine, the picture-perfect life enjoyed by an attorney, her husband, and their two children is invaded by violence and deceit when her brother-in-law, a college student, is brutally raped by a man who seems likely to escape justice.
Julia Hall last saw Detective John Rice in 2016 when Rice was investigating the rape of Julia’s 20-year-old brother-in-law, Nick. She'd hoped never to see the officer again. But three years later, she receives a call from Rice, now dying of cancer, who gently insists—to her mounting terror—that they revisit the past. “Back to the beginning?” Rice suggests. The tightly coiled narrative then returns to the night Nick Hall meets a charming stranger in a bar, goes back to his motel room, and is brutally assaulted. (The violence here, while disturbing, is never gratuitous.) Nick reports the crime, identifies his attacker, and attempts to heal with the help of his older half brother and lifetime protector, Tony, who is Julia’s upright and loving husband. A case that should be clear turns shadowy, however, when the perpetrator succeeds in damaging not only Nick’s credibility, but also his fragile identity. Because men "were supposed to win fights, be strong,” as Tony puts it, sympathizing with his brother’s anguish. In one of the novel’s most satisfying twists, however, it is Julia who faces the most extreme test of all. “The naive little house cat who believed in rules and order was being toppled by the puma who knew that some days, the only law is kill or be killed,” she realizes of herself as the novel reaches its sly denouement. Throughout, the author deftly employs alternating points of view to expose the psychological and emotional consequences of violence while sustaining a chilling atmosphere of suspense.
A deeply humane and affecting psychological thriller by a debut author.Pub Date: June 15, 2021
ISBN: 978-0-59-329613-4
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.
The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.
When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.Pub Date: April 9, 2024
ISBN: 9781668010440
Page Count: 368
Publisher: Marysue Rucci Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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