In the end, the questions and words are whole lotta fun, but it is the music the book makes that is the most arresting...
This boy doesn't just wonder, he throws readers a forceful invitation: “May I ask you something? / Are you ever perplexed? / Completely vexed? / Do you have questions? / Queries? / Odd theories?” He does.
Brown’s book is in the grip of an effervescent momentum. Not that it really has anything to do with asking questions—of curiosity, of inquiry—though the boy sure does ask lots of questions. It is what, and especially how, he asks that spins the wheel. The story is shuttled along on Brown’s fine artwork: slightly jittery, slightly sinister, with blasts of color alternating with pages in shadow and clever interpretations of the boy’s increasingly loopy questions. His mind is a tinderbox to which Brown applies a match. “Do onions cry?” “Is water scared of waterfalls?” He adds some subversive wordplay as kindling: “Do clouds get jealous during storms, and steal each other’s thunder?” And “[i]f I’m too tired, am I a bike?” Soon thereafter, great logs are thrown on the fire. “Would a happy toucan / from the Yucatan / become cantankerous / up in Anchorage / or the Yukon? / What about Tucson?”
In the end, the questions and words are whole lotta fun, but it is the music the book makes that is the most arresting entertainment. (Picture book. 6 & up)Pub Date: June 28, 2011
ISBN: 978-1-4169-7877-0
Page Count: 40
Publisher: Atheneum
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
Readers will be waiting to see how Charlie faces his next challenge in a series that marks a lovely change of pace from the...
Charlie Bumpers is doomed. The one teacher he never wanted in the whole school turns out to be his fourth-grade teacher.
Charlie recalls third grade, when he accidentally hit the scariest teacher in the whole school with his sneaker. “I know all about you, Charlie Bumpers,” she says menacingly on the first day of fourth grade. Now, in addition to all the hardships of starting school, he has gotten off on the wrong foot with her. Charlie’s dry and dramatic narrative voice clearly reveals the inner life of a 9-year-old—the glass is always half empty, especially in light of a series of well-intentioned events gone awry. It’s quite a litany: “Hitting Mrs. Burke in the head with the sneaker. The messy desk. The swinging on the door. The toilet paper. And now this—the shoe on the roof.” Harley has teamed once again with illustrator Gustavson (Lost and Found, 2012) to create a real-life world in which a likable kid must face the everyday terrors of childhood: enormous bullies, looming teachers and thick gym coaches with huge pointing fingers. Into this series opener, Harley magically weaves the simple lesson that people, even teachers, can surprise you.
Readers will be waiting to see how Charlie faces his next challenge in a series that marks a lovely change of pace from the sarcasm of Wimpy Kid. (Fiction. 7-10)Pub Date: Sept. 1, 2013
ISBN: 978-1-56145-732-8
Page Count: 160
Publisher: Peachtree
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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There’s lots to see and do in this big city.
A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.
Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.
There’s lots to see and do in this big city. (Informational novelty. 6-9)Pub Date: April 4, 2017
ISBN: 979-1-02760-079-3
Page Count: 22
Publisher: Twirl/Chronicle
Review Posted Online: May 30, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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