In an equally rousing sequel to The Monster at the End of This Book (print edition, 1971; app version, 2011) Elmo drags a reluctant Grover through one page after another toward a second “monster.”
Blithely ignoring his blue buddy’s “Not again! I simply cannot handle another monster right now. I get very worked up by books about monsters,” little Elmo chivvies him along. Meanwhile, he coaxes readers with both specific instructions for proceeding and, if a tap or swipe is not forthcoming, a more imperative “Turn the page!” The episode was made for interactive and animated enhancements, and to the 1996 print edition the designers have added a full slate. These range from objects and figures that fly about or drop in and out of sight to stackable (and knock-downable) alphabet blocks, a simple color-matching game, gooey “glue” to spread around and, in balloon-enclosed dialogue, highlighted words that are links to audio clips of pronunciations or definitions. The two Muppets respond in unpredictable ways to repeated taps, and delayed comments or developments on nearly every page repay lingering a few moments before moving on. In the end, the two scare each other, and Elmo (predictably) campaigns for another go-round. From Elmo’s opening tutorial to the closing ticklefest, a treat and a half for preschoolers and parents alike. (learning activities section for adult sharers, thumbnail image index) (iPad storybook app. 3-5)
Pub Date: Nov. 23, 2011
ISBN: N/A
Page Count: -
Publisher: Callaway Digital Arts
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Jan. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A wandering effort, happy but pointless.
The perfect book for kids who love dragons and mild tacos.
Rubin’s story starts with an incantatory edge: “Hey, kid! Did you know that dragons love tacos? They love beef tacos and chicken tacos. They love really big gigantic tacos and tiny little baby tacos as well.” The playing field is set: dragons, tacos. As a pairing, they are fairly silly, and when the kicker comes in—that dragons hate spicy salsa, which ignites their inner fireworks—the silliness is sillier still. Second nature, after all, is for dragons to blow flames out their noses. So when the kid throws a taco party for the dragons, it seems a weak device that the clearly labeled “totally mild” salsa comes with spicy jalapenos in the fine print, prompting the dragons to burn down the house, resulting in a barn-raising at which more tacos are served. Harmless, but if there is a parable hidden in the dragon-taco tale, it is hidden in the unlit deep, and as a measure of lunacy, bridled or unbridled, it doesn’t make the leap into the outer reaches of imagination. Salmieri’s artwork is fitting, with a crabbed, ethereal line work reminiscent of Peter Sís, but the story does not offer it enough range.
A wandering effort, happy but pointless. (Picture book. 3-5)Pub Date: June 14, 2012
ISBN: 978-0-8037-3680-1
Page Count: 40
Publisher: Dial Books
Review Posted Online: March 27, 2012
Kirkus Reviews Issue: April 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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