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DOUBLE BILLING

A YOUNG LAWYER'S TALE OF GREED, LIES, SEX, AND THE PURSUIT OF A SWIVEL CHAIR

What do lawyers do all day (and many nights) to earn the big bucks and the ill-favored reputation? Stracher (The Laws of Return, 1996) answers with an animated description of his life as an overworked, overpaid associate in a big New York firm. Ever since lawyering seemed to change from an honored profession to a tough business, the sole object of the game has been billable hours (read “huge fees”). Many firms, particularly the big “white shoe”outfits with major corporate clients, regularly transmute the lives of recently minted lawyers, their associates, into billable hours. Counselor Stracher describes his two years with such a firm (really a composite of several, and representative of many). His own point of view while employed as a biggie was much like that of a hamster on a treadmill: He tells of foolish, wasted, pointless work. But in law, there’s no such thing as too much preparation. And if all-nighters were required, it was usually the associates and paralegals who ate cold pizza into the wee hours—often to support what the author supposed were positions of little merit. Documents, of course, abounded. Lawyer Stracher, in his brief, takes us on a quick tour of the back office, introducing us to quirky colleagues and offering a mini-primer on some black-letter law. Nowhere, though, does he document the unethical practice mentioned in his title. Rather, the mores and manners, foods and fashions of typical swashbuckling lawyers are dissected with skill and humor. Stracher’s heart lies in the writer’s art, not the art of litigation. He’s now an “in-house” litigator with a major network, not—as lawyers joke—an “out-house” attorney in a private firm. A jaundiced but eloquent report on law’s current habits.

Pub Date: Nov. 11, 1998

ISBN: 0-688-14759-3

Page Count: 256

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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