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The Foreign Consuls Among Us

LOCAL BRIDGES TO GLOBALISM

Well-written and lively, offering an engaging way to learn about the sometimes-perplexing world of foreign consulates.

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This expanded second edition adds a global perspective to a surprisingly readable explanation of foreign consuls.

Arguably, Americans are generally less worldly in foreign affairs, in part because of the country’s physical isolation from much of the rest of the world. American citizens are also likely to be ignorant of foreign consuls, even though consuls may be located in their very communities. Yet as Hofstadter, a Finnish-born transplant to America who spent time as a consul, explains, these officials help “in the development of commercial, economic, cultural and scientific relations between their countries and the U.S. locales where they are posted.” The author handily explains what consuls are and their primary functions, as well as proper etiquette when it comes to dealing with them. While the book is most relevant for American government officials, academics, or businesspeople who might have interactions with foreign dignitaries, it could be of interest to a broader audience because it is so enjoyable to read. Hofstadter writes with a great deal of polish and good humor in a style that is informal yet authoritative. She is particularly adept at creating engaging chapter openings through her use of anecdotes that often demonstrate various blunders caused largely by people who haven’t a clue how to interact with consuls or how to make the best use of their services. The author discusses some of the key areas in which consuls have an impact, including facilitating travel as well as cross-border educational exchanges. Particularly interesting are explanations of the distinction between “career” and “honorary” consuls and the differences between consular and diplomatic personnel. Also useful (and somewhat dizzying) are the variety of definitions: “consul general,” “consul,” “vice consul,” “consulate,” “consular corps,” and “diplomat.” The details about how to address consuls (both in person and in written form) and seat them at events are admittedly mundane, but they will certainly help avoid embarrassment for individuals responsible for such things.

Well-written and lively, offering an engaging way to learn about the sometimes-perplexing world of foreign consulates.

Pub Date: Feb. 16, 2015

ISBN: 978-0-9882169-1-4

Page Count: 262

Publisher: Seagreen Press

Review Posted Online: Aug. 17, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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