A deliciously inventive thriller brimming with sex, secrets, and scandal.

THE GOLDEN CAGE

Faye Adelheim has it all—a wealthy, handsome husband, an expensive home, and a beautiful little girl. But when her fairy-tale life fractures, how far will she go to exact revenge?

Läckberg, the mistress of Scandinavian noir, returns with a smart riff on women’s thrillers: This is Big Little Lies meets Gone Girl with some 9 to 5 tossed in for good measure. Having grown up in a small town, Faye independently makes her way to Stockholm changes her name, and eventually secures a spot in the prestigious Stockholm School of Economics, where she meets her best friend, Chris, and her future husband, Jack. While Jack builds his first business (virtually forgetting that Faye helped come up with the idea for the company), Faye abandons her studies to support them by waiting tables. She even signs a prenuptial agreement that guarantees her nothing, trusting in Jack’s love. Once married, Faye stays home, her career essentially dead, but Jack’s thrives, emboldening him to insult and degrade her. And while Jack’s business takes him on glamorous trips, Faye finds herself killing time and numbing her pain by drinking with the other women caught in golden cages. That is, until she discovers Jack's affair; their divorce leaves her practically penniless. Despite her pitiful predicament, Faye isn’t entirely without resources. Certainly, she has Chris, who's founded her own hair-care empire and become a wildly successful businesswoman. She also has rage, and she quickly channels that rage into her business acumen, developing a plan not only to take down Jack, but also to market a product to jilted woman (and isn’t that nearly all women?). Yet as Faye begins dismantling Jack’s life, Läckberg deftly teases the reader by dropping clues to Faye’s dark past. We can’t help but wonder if she’s done this before.

A deliciously inventive thriller brimming with sex, secrets, and scandal.

Pub Date: July 7, 2020

ISBN: 978-0-525-65797-2

Page Count: 352

Publisher: Knopf

Review Posted Online: April 13, 2020

Kirkus Reviews Issue: May 1, 2020

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If novelists are auditioning to play God, Hilderbrand gets the part.

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GOLDEN GIRL

From the greenroom of the afterlife—make that Benjamin Moore "Parsley Snips" green—a newly dead Nantucket novelist watches life unfold without her.

In her 27th novel, Hilderbrand gives herself an alter ego—beloved beach-novel author Vivian Howe—sends her out for a morning jog, and immediately kills her off. A hit-and-run driver leaves Vivi dead by the side of the road, where her son's best friend discovers her body—or was he responsible for the accident? Vivi doesn't know, nor does she know yet that her daughter Willa is pregnant, or that her daughter Carson is having a terribly ill-advised affair, or that her son, Leo, has a gnawing secret, or that her ex is getting tired of the girl he dumped her for. She will discover all this and more as she watches one last summer on Nantucket play out under the tutelage of Martha, her "Person," who receives her in the boho-chic waiting room of the Beyond. Hermès-scarved Martha explains that Vivi will have three nudges—three chances to change the course of events on Earth and prevent her bereaved loved ones from making life-altering mistakes. She will also get to watch the publication of what will be her last novel, titled Golden Girl, natch, and learn the answers to two questions: Will the secret about her own life she buried in this novel come to light (who cares, really—she's dead now), and will it hit No. 1 on the New York Times bestseller list (now there's an interesting question). She'll also get to see that one of her biggest wrongs is posthumously righted and that her kids have learned her most important lesson. As Willa says to Carson, "You know how she treats the characters in her books? She gives them flaws, she portrays them doing horrible things—but the reader loves them anyway. Because Mom loves them. Because they’re human.”

If novelists are auditioning to play God, Hilderbrand gets the part.

Pub Date: June 1, 2021

ISBN: 978-0-31642008-2

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: May 15, 2021

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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