A fast-paced, drama-filled portrait of a family dynasty.
When Nicole’s husband needs a background check to secure a job in Jimmy Carter’s administration, she asks her godmother if there are any family secrets to worry about. It’s a question she may regret asking.
Setting her tale mostly in the 1930s and '40s, Aubray uses the dramatic changes in America to highlight the family drama—a saga reminiscent of Mario Puzo and Francis Ford Coppola. Unlike them, though, Aubray focuses on the challenges particular to women, including their parents' preference for sons, the dangers of extramarital sex, and the difficulties of assuming power in a patriarchal world, particularly the Mafia-ruled world of mid-20th-century New York. At times, Aubray lapses into exposition and cliché, yet the narrative moves fast and furious. Nicole and her cousins actually have four godmothers, four sisters-in-law who each have colorful stories that might give the FBI pause. Filomena has lived under an assumed name since she arrived in New York at age 17 to marry Mario, the youngest brother in the family. Hers is a story of escaping World War II Italy after her cousin dies in her arms. Mario’s older brothers, Frankie and Johnny, marry Lucy (a nurse and single mother who must conceal her son’s biological parentage) and Amie (a shy woman who must violently escape her first husband’s daily assaults), respectively. All three wives carefully honor Gianni and Tessa, the patriarch and matriarch of the family—a family that deftly manipulates crime lords. Petrina, their only daughter, longs to escape the dynasty by marrying into a WASPy family. As violence erupts, power shifts, and war rises once again, the four women learn to negotiate power on their own terms.
A fast-paced, drama-filled portrait of a family dynasty.Pub Date: June 15, 2021
ISBN: 978-0-06-298369-5
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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