In the 1940s, Fred Martini, a zookeeper at the Bronx Zoo, brought a newborn lion cub home to his wife.
The cub had been rejected by its mother and desperately needed care. Though childless, Helen was well prepared with baby supplies on hand. She bathed it, fed it baby formula, and sang it to sleep. MacArthur became a loving, playful, cuddly pet until he was placed in another zoo. It was lonely without him until Fred brought home three baby tigers, and the joyful process began again. When it was time to return these babies to the zoo, Helen went with them. She created a cozy space in a glass cage where visitors could see them. She expanded her work by establishing a nursery in an unused storeroom, painting and decorating, curtains and all, where the tiger cubs could sleep at night. When zoo officials finally discovered her, they realized the value of what she had accomplished and offered her a permanent, paid position as the first woman zookeeper, caring for many species of animal babies. Telling the tale with great attention to detail, Fleming perfectly captures both time and place as well as the loving, determined woman who forged her way in a man’s profession. Downing’s illustrations in a wide variety of sizes and hues will keep readers’ attention glued to the pages and are in sync with the text in every way. The Martinis present white, and the animals are cuddly and packed with personality.
A lovely homage to a little-known woman and her quiet achievement. (afterword, bibliography, source notes) (Picture book/biography. 4-9)Pub Date: Aug. 4, 2020
ISBN: 978-0-8234-4318-5
Page Count: 48
Publisher: Holiday House
Review Posted Online: June 3, 2020
Kirkus Reviews Issue: June 15, 2020
Categories: CHILDREN'S ANIMALS | CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S HISTORY
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Claude Monet spends an early morning in his “studio boat,” painting scenes of the Seine.
Rosenstock and GrandPré, who’ve amply demonstrated their ability to distill an artist’s work into a rich essence for young readers with biographies of Kandinsky, Van Gogh, and Chagall, now describe an imagined morning in the life of Monet, a founding impressionist. Here, the painter, now rich and famous, sets off to work at 3:30 a.m. In her respectful narrative, the writer’s word choice is precise and revealing. Monet “clambers aboard” his boat and counts his canvases in French: “un, deux, trois, quatre.” Rosenstock describes his working process, “painting the river’s colors, and the air around the colors,” and she weaves in some historical background. GrandPré’s illustrations, painted with acrylics, support and enhance the text. Readers see an older White man with a lush white beard and the “broad belly” and “sturdy legs” of the text. Toward the end, one particularly appealing spread shows Monet’s tools—the canvas, the palette, the brushes—and the artist, satisfied with his morning’s work. The colors are astonishing: from the bright aquamarine of the cover, the faintly violet dawn, the pinks, yellows, and oranges of the sunlight, and the tea-colored interiors. Always, there are brush strokes of other colors visible. An informative author’s note extends the artist’s biography, but the picture of his life painted in this single encounter is sufficient. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 63% of actual size.)
A worthy introduction to this master artist. (sources, acknowledgments) (Informational picture book. 5-9)Pub Date: March 2, 2021
ISBN: 978-0-525-70817-9
Page Count: 40
Publisher: Knopf
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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The junior senator from California introduces family and friends as everyday superheroes.
The endpapers are covered with cascades of, mostly, early childhood snapshots (“This is me contemplating the future”—caregivers of toddlers will recognize that abstracted look). In between, Harris introduces heroes in her life who have shaped her character: her mom and dad, whose superpowers were, respectively, to make her feel special and brave; an older neighbor known for her kindness; grandparents in India and Jamaica who “[stood] up for what’s right” (albeit in unspecified ways); other relatives and a teacher who opened her awareness to a wider world; and finally iconic figures such as Thurgood Marshall and Constance Baker Motley who “protected people by using the power of words and ideas” and whose examples inspired her to become a lawyer. “Heroes are…YOU!” she concludes, closing with a bulleted Hero Code and a timeline of her legal and political career that ends with her 2017 swearing-in as senator. In group scenes, some of the figures in the bright, simplistic digital illustrations have Asian features, some are in wheelchairs, nearly all are people of color. Almost all are smiling or grinning. Roe provides everyone identified as a role model with a cape and poses the author, who is seen at different ages wearing an identifying heart pin or decoration, next to each.
Self-serving to be sure but also chock-full of worthy values and sentiments. (Picture book/memoir. 5-8)Pub Date: Jan. 8, 2019
ISBN: 978-1-984837-49-3
Page Count: 40
Publisher: Philomel
Review Posted Online: Jan. 8, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S SOCIAL THEMES
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