Besides uncovering the lurid crimes behind the mutilations, Margaret chooses sides in the War for Independence and forms an...
Imagine Braveheart without Mel Gibson: that's what Dame Margaret Kerr of Perth is facing at the close of the 13th century and the opening of this new series by the chronicler of Owen Archer (A Gift of Sanctuary, 1998, etc.). Margaret's husband, Roger Sinclair, vanished five months ago in Edinburgh during its occupation by English soldiers resisting Scottish independence. After Roger's cousin Jack Sinclair is killed looking for him and Margaret discovers mutilations and an unusual stone under Jack's shroud, she forces her brother Andrew, a priest, to escort her and her mother-in-law's maid, Celia, to her uncle Murdoch's tavern in Edinburgh, a rathole infested by political provocateurs. Murdoch soon disappears, leaving the place in the keeping of his unlikely business partner, James Comyn, a relative of the deposed Scottish King, John Balliol. But on his return, he confirms that Margaret's room had been occupied by an aristocratic female supporter of Robert Bruce's claim to the crown—a woman personally escorted by Roger. Still wondering what this mystery woman might be to Roger, Margaret spots her husband on the street, his face bleeding from four symmetrical lacerations. Though he disappears without acknowledging her, her investigations among the local weavers reveal the weapon that wounded Roger and the reasons—personal and political—for his cousin's murder.
Besides uncovering the lurid crimes behind the mutilations, Margaret chooses sides in the War for Independence and forms an uneasy business partnership with her uncle. Even so, the fadeout, trailing as many loose ends as a broken loom, provides plenty of tangles to be sorted out in the continuing saga.Pub Date: April 12, 2001
ISBN: 0-89296-708-0
Page Count: 272
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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