Besides uncovering the lurid crimes behind the mutilations, Margaret chooses sides in the War for Independence and forms an...
Imagine Braveheart without Mel Gibson: that's what Dame Margaret Kerr of Perth is facing at the close of the 13th century and the opening of this new series by the chronicler of Owen Archer (A Gift of Sanctuary, 1998, etc.). Margaret's husband, Roger Sinclair, vanished five months ago in Edinburgh during its occupation by English soldiers resisting Scottish independence. After Roger's cousin Jack Sinclair is killed looking for him and Margaret discovers mutilations and an unusual stone under Jack's shroud, she forces her brother Andrew, a priest, to escort her and her mother-in-law's maid, Celia, to her uncle Murdoch's tavern in Edinburgh, a rathole infested by political provocateurs. Murdoch soon disappears, leaving the place in the keeping of his unlikely business partner, James Comyn, a relative of the deposed Scottish King, John Balliol. But on his return, he confirms that Margaret's room had been occupied by an aristocratic female supporter of Robert Bruce's claim to the crown—a woman personally escorted by Roger. Still wondering what this mystery woman might be to Roger, Margaret spots her husband on the street, his face bleeding from four symmetrical lacerations. Though he disappears without acknowledging her, her investigations among the local weavers reveal the weapon that wounded Roger and the reasons—personal and political—for his cousin's murder.
Besides uncovering the lurid crimes behind the mutilations, Margaret chooses sides in the War for Independence and forms an uneasy business partnership with her uncle. Even so, the fadeout, trailing as many loose ends as a broken loom, provides plenty of tangles to be sorted out in the continuing saga.Pub Date: April 12, 2001
ISBN: 0-89296-708-0
Page Count: 272
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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