Touching vignettes of everyday life and romance on the American frontier.
In Simar’s historical novel, homesteaders in the Dakota Territories seek love and community in the changing landscape of late-19th-century America.
Digger Dancy is nearing the end of his time sitting on his claim in the Dakota Territories before winning the land from the government. He and his brother, George, suffer through their fifth winter on their neighboring claims living in their “sodd[ies].” This winter has been especially hard on George, whom Digger had to convince to leave their home (and their overbearing mother) back east in Iowa. Digger decides the two should put out an ad for a wife in the Montana Matrimonial News to cure George’s loneliness. The narrative also follows several other homesteaders who reside in the area surrounding the small town of Nickelbo; The text recalls John Steinbeck’s Cannery Row with its short-story-like structure charting the lives of various members of the small community. Olava Wick, whom the townspeople refer to as “Doctor Gamla,” is another significant character. Olava is an elderly midwife who takes on most of the medical needs of Nickelbo, aside from the occasional amputation performed by the barber, Civil War veteran Stubby. The townspeople (mostly) affectionately refer to Olava as a witch, an epithet she does little to shirk. Olava’s catchphrase—“My cures work if you can stand them”— is proven true each time she helps a homesteader with matters of health or the heart. One of the most engaging aspects of the novel is the characters’ interactions with major historical events, such as Prohibition and North Dakota achieving statehood. While Prohibition is mostly discussed by the men (who are typically opposed) in the story, the women who are pro-Prohibition are not looked down upon. The only unfortunate characterization in the book is that of Indigenous Americans, who are mostly absent from the narrative. When they are mentioned, it is disparagingly, such as when a child is described screaming “as if he were being scalped by Red Indians.” Apart from this, the novel is successful as an affirmation of the importance of community and connection in the human experience.
Touching vignettes of everyday life and romance on the American frontier.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Oct. 30, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
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