PEOPLE PERSON

This way-out combination of family drama, madcap plot, and political edge ends up being quite endearing.

The five children of Cyril Pennington learn they have something more in common than their father's DNA.

The many fans of Carty-Williams' debut, Queenie (2019), will have lots of fun with her sophomore effort, another high-spirited, socially conscious novel set in South London. Of the five Pennington offspring, only the eldest and the youngest, Nikisha and Prynce, have the same mother (Cyril stopped by to drop off a card for Nikisha's 10th birthday; Prynce was born nine months later). The second oldest is Danny, whose mother is White, then Dimple and Lizzie, only a few weeks apart in age, with Indian Jamaican and Yoruba mothers, respectively. Kudos to Carty-Williams for defining each of these many characters so clearly that you can easily keep track of who's who. Cyril would proudly claim the same, his interpretation of fatherhood entailing being "generally aware that he had five children (and possibly more, but he wasn’t going to go looking), remembering their names and sometimes their birthdays, and asking them for money when times were hard." As the book opens, the kids range in age from 9 to 19, and Cyril has decided it's time for them to meet. He drives around and picks them all up in his gold Jeep, which he loves "more than anything else in his life and he [doesn’t] see a problem with that"—but the meeting doesn't go all that well. Nobody smiles except him, Nikisha fat-shames Dimple, Lizzie just wants to go home and "tell her mum that Cyril had basically kidnapped her and forced her to spend time with a group of Jamaicans." They don't see each other again for 16 years, when Dimple accidentally murders her boyfriend and calls on her siblings for help. This unfolding mishap is the main narrative line around which the characters transform into a family, also coping with racism, toxic relationships, social media crises, and intergenerational trauma along the way.

This way-out combination of family drama, madcap plot, and political edge ends up being quite endearing.

Pub Date: Sept. 13, 2022

ISBN: 978-1-5011-9604-1

Page Count: 336

Publisher: Scout Press/Simon & Schuster

Review Posted Online: June 6, 2022

Kirkus Reviews Issue: July 1, 2022

THE BOARDWALK BOOKSHOP

A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.

Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love.

Bree is a friendly but standoffish bookstore owner who keeps everyone she knows at arm’s length, from guys she meets in bars to her friends. Mikki is a settled-in-her-routines divorced mother of two, happily a mom, gift-shop owner, and co-parent with her ex-husband, Perry. And Ashley is a young, very-much-in-love bakery owner specializing in muffins who devotes herself to giving back to the community through a nonprofit that helps community members develop skills and find jobs. When the women meet drooling over a boardwalk storefront that none of them can afford on her own, a plan is hatched to divide the space in three, and a friendship—and business partnership—is born. An impromptu celebration on the beach at sunset with champagne becomes a weekly touchpoint to their lives as they learn more about each other and themselves. Their friendship blossoms as they help each other, offering support, hard truths, and loving backup. Author Mallery has created a delightful story of friendship between three women that also offers a variety of love stories as they fall in love, make mistakes, and figure out how to be the best—albeit still flawed—versions of themselves. The men are similarly flawed and human. While the story comes down clearly on the side of all-encompassing love, Mallery has struck a careful balance: There is just enough sex to be spicy, just enough swearing to be naughty, and just enough heartbreak to avoid being cloying.

A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.

Pub Date: May 31, 2022

ISBN: 978-0-778-38608-7

Page Count: 352

Publisher: Harlequin MIRA

Review Posted Online: March 15, 2022

Kirkus Reviews Issue: April 1, 2022

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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