A brutal, vital text.
To reclaim her village, a young Indigenous Colombian woman returns to confront the violent forces behind an illegal mining operation.
Armed men crept into the village during the night, and the villagers fled into the jungle for safety. Displaced from their land, they traveled for miles, seeking refuge from the indifferent local government in Cali, which relocates Andrea and the rest of her community into a single, small, unlivable house. Inside this suffocating 600-square-foot dwelling, Andrea’s baby daughter dies. Andrea undertakes the long voyage from the city of Cali back to the Amazonia region with a small casket in her arms, on a mission to bury her daughter in the land where her village previously stood. She also secretly carries a camera, her tool in gathering photographic evidence in the fight to reclaim her land. Arriving at the wire fence surrounding the destructive mining operation, Andrea contends with two armed guards: One offers little sympathy; the other comes from her distant past. Simply powerful, Colombian artist Canizales’ illuminating, expressively rendered graphic novel translated from the Spanish contains moments of great beauty (particularly Andrea’s memories of her husband and father) among numerous scenes of deep anguish, including instances when the threat of sexual assault arises. Stark flashbacks and revealing backstories lead to an overall sense of temporal unsteadiness, creating unease in a way that invites readers to stop and consider.
A brutal, vital text. (author's note, bibliography) (Graphic fiction. 14-adult)Pub Date: May 3, 2022
ISBN: 978-1-72844-867-1
Page Count: 96
Publisher: Graphic Universe
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
PERSPECTIVES
PERSPECTIVES
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
