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MURDER IN THE SENTIER

Although overpopulated and a bit overplotted, Black’s third offers an authentic puzzle that unravels surprisingly yet...

Eight-year-old Aimée Leduc couldn’t understand why she came home from school one day to find her mother gone. Now grownup Aimée (Murder in Belleville, 2000, etc.) must face the grim truth about her mother’s disappearance when Jutta Hald turns up at her Rue D’Anjou doorstep claiming to be Sydney Leduc’s cellmate at Frésnes Prison and offering to sell papers that could help reconnect Aimée with Sydney. Before Aimée can borrow enough money from Michel Mamou, a fashion designer friend of her partner René, she finds Jutta sitting outside the Tour de Jean-Sans-Peur at the foot of the Sentier, Paris’s garment district, with half her head blown away. Scared but determined, Aimée infuriates René by taking time away from paying clients like Michel to search for the remaining members of Action-Réaction, the French counterpart to the radical Haader-Rofmein gang, who 20 years ago kidnapped a German industrialist named Laborde only to be hunted by the police when they crossed into France. She finds novelist Raymond Figeac, who’d harbored the fugitives to please his wife, an American actress who recently killed herself. Figeac’s son Christian is a head case who’s too strung out on drugs and too bummed out by the defection of his Senegalese girlfriend, Idrissa Diaffa, to be much help. So Aimée must turn to those who knew her mother best but hated her most—the police—to stop a killer who might strike again.

Although overpopulated and a bit overplotted, Black’s third offers an authentic puzzle that unravels surprisingly yet logically in a setting of unrivaled charm.

Pub Date: April 1, 2001

ISBN: 1-56947-278-5

Page Count: 336

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2002

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A DANGEROUS COLLABORATION

The astute and unconventional Edwardian pair seem to have entered the pages of a gothic novel for an exhilarating new tale...

An intrepid lepidopterist and her sometime lover are caught up in yet another extravagant adventure in 1888.

Returning to London from Madeira, Veronica Speedwell gets the cold shoulder from her companion in mystery solving, Stoker Templeton-Vane (A Treacherous Curse, 2018, etc.), who’s still furious that he was left out of the unexplained trip. He’s not happy, either, that his elder brother, Tiberius, Lord Templeton-Vane, wants Veronica to accompany him to St. Maddern's Isle off the coast of Cornwall to visit the castle of his old friend Malcolm Romilly, who’s promised to give Veronica some larvae of the Romilly Glasswing butterfly, thought to be extinct. What Tiberius doesn't tell Veronica—yet—is that she'll have to pose as his fiancee to gain the approval of their Catholic host, who wouldn't approve of an unchaperoned single woman. Upon their arrival in Cornwall, they find Stoker, refusing to be left out, waiting to join a group that includes Malcolm; his sister, Mertensia, a tireless gardener; his sister-in-law, Helen; her son, Caspian; and a crew of servants directed by longtime family retainer Mrs. Trengrouse. The island is large enough for farms and a village whose superstitious natives tell tales of piskies and mermaids. Stoker and his brother constantly snipe over Veronica, whom Tiberius works to seduce and Stoker secretly wants to marry. Although she loves Stoker, Veronica fears he’s never gotten over the dreadful marriage that almost killed him and is so independent herself that she’s afraid to commit to more than a physical relationship. Meanwhile, Malcolm’s wife, Rosamund, vanished on their wedding day three years ago, and no one knows whether she’s dead or alive. When Malcolm’s discovery of Rosamund’s traveling bag makes it all but certain that she’s dead, he asks for Veronica and Stoker's help in finding out what happened to her. Slowly, secrets from the past are revealed, and the sleuths find themselves threatened by someone desperate to keep those secrets buried forever.

The astute and unconventional Edwardian pair seem to have entered the pages of a gothic novel for an exhilarating new tale full of wild adventures and treacherous relationships.

Pub Date: March 12, 2019

ISBN: 978-0-451-49071-1

Page Count: 336

Publisher: Berkley

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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BLACK HOUSE

Those not knowing King’s Dark Tower series or The Talisman will follow all this easily enough. Many admiring King’s recent,...

Coauthors King and Straub, together again (The Talisman, 1984), take a Wisconsin Death Trip into parallel universes.

The Fisherman, who copycats long-dead serial killer Albert Fish, has been chopping up little kids in French Landing, Wisconsin, and sending letters to the children’s parents identical to those Fish sent parents 67 years ago—letters never made public, so how does The Fisherman do this? The local police chief asks for help from Jack Sawyer (hero of The Talisman), a Los Angeles homicide detective now in retirement. As a child, Jack flipped into the Territories, the parallel world in The Talisman, but has since forgotten his trip. What about the all-black Black House in the woods? Well, only Charles Burnside (Alzheimer’s) and Tinky Winky Judy Marshall (just plain crazy) know the Black House is the doorway to Abbalah, the entrance to hell—and Judy’s son Tyler is apparently the killer’s fourth victim. Jack’s new buddy, blind Henry Leyden, a radio deejay with four discrete identities no one knows are his, can’t talk Jack into taking the case. But when little Irma Freneau’s gnawed foot arrives in a shoebox on Jack’s welcome mat, Jack flips and lands in the Territories. The Territories confer a sacred magic and, in Jack’s case, absolute luck that lets him win his every bet or endeavor. Tyler, it happens, is telekinetic, and has been abducted by the Crimson King. All universes are held in place by the Dark Tower, the great interdimensional axle the Crimson King wants to destroy. Jack must save Tyler from the furnace-lands below Black House—and here the novel strives for depth, though interest dwindles.

Those not knowing King’s Dark Tower series or The Talisman will follow all this easily enough. Many admiring King’s recent, subtler work, though, may find these blood-spattered pages a step backward into dreamslash & gutspill.

Pub Date: Sept. 15, 2001

ISBN: 0-375-50439-7

Page Count: 640

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2001

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