Hoffman weaves an intricate plot, but a tendency to overwrite shadows her story, leaving the reader to make a complicated...
Hoffman’s (So Much Pretty, 2011) latest novel centers on a female soldier who comes home to a reality in which she feels alienated and out of sync.
Lauren Clay didn’t follow the rest of the cream of her high school graduating class into college; instead, the gifted student with the beautiful, classically trained voice opted for the Army, where she ended up in a war zone, dodging bullets and losing her identity to a case of PTSD. But no one at home wants to acknowledge that the Lauren who has returned to Watertown isn’t the same girl who left. While her dad, Jack, and her boyfriend, Shane, puzzle over her changed behavior, Lauren experiences difficulty reintegrating into her old life. Although she loves her younger brother, Danny, more than anything or anyone, she takes him on a hazardous trip to a basin that has become the site of an oil field and seeks out her friend Daryl, another soldier. That trip turns into a race against time as her family tries to find Lauren before the unthinkable happens. For those who like their prose spare and unembellished, beware: Hoffman has nothing in common with the Hemingway school of writing. But she does an admirable job of conveying the confusion and helplessness of a returning warrior with PTSD who is trying to reintegrate into society and finds it makes little sense. And Hoffman has a knack for bringing her characters to life while providing readers with a reason to care about them. But in this instance, Hoffman’s talent may not be enough to keep readers focused on a tale that tends to drift and, despite her considerable skill as a writer, sometimes becomes more about the beauty of her words than the story she’s trying to tell.
Hoffman weaves an intricate plot, but a tendency to overwrite shadows her story, leaving the reader to make a complicated literary journey that, for some, may not be worth the effort.Pub Date: April 1, 2014
ISBN: 978-1-4516-4131-8
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: Jan. 31, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
