Hoffman weaves an intricate plot, but a tendency to overwrite shadows her story, leaving the reader to make a complicated...
Hoffman’s (So Much Pretty, 2011) latest novel centers on a female soldier who comes home to a reality in which she feels alienated and out of sync.
Lauren Clay didn’t follow the rest of the cream of her high school graduating class into college; instead, the gifted student with the beautiful, classically trained voice opted for the Army, where she ended up in a war zone, dodging bullets and losing her identity to a case of PTSD. But no one at home wants to acknowledge that the Lauren who has returned to Watertown isn’t the same girl who left. While her dad, Jack, and her boyfriend, Shane, puzzle over her changed behavior, Lauren experiences difficulty reintegrating into her old life. Although she loves her younger brother, Danny, more than anything or anyone, she takes him on a hazardous trip to a basin that has become the site of an oil field and seeks out her friend Daryl, another soldier. That trip turns into a race against time as her family tries to find Lauren before the unthinkable happens. For those who like their prose spare and unembellished, beware: Hoffman has nothing in common with the Hemingway school of writing. But she does an admirable job of conveying the confusion and helplessness of a returning warrior with PTSD who is trying to reintegrate into society and finds it makes little sense. And Hoffman has a knack for bringing her characters to life while providing readers with a reason to care about them. But in this instance, Hoffman’s talent may not be enough to keep readers focused on a tale that tends to drift and, despite her considerable skill as a writer, sometimes becomes more about the beauty of her words than the story she’s trying to tell.
Hoffman weaves an intricate plot, but a tendency to overwrite shadows her story, leaving the reader to make a complicated literary journey that, for some, may not be worth the effort.Pub Date: April 1, 2014
ISBN: 978-1-4516-4131-8
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: Jan. 31, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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