Faintly feminist soft science fiction for preteens and teens.

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PRIZED

From the Birthmarked Trilogy series , Vol. 2

Once again, spunky teen-midwife Gaia takes down a dystopia.

After fleeing from the Enclave, Gaia finds the utopia to which her grandmother once fled (Birthmarked, 2010). Like an inverse of the Enclave, Sylum offers equality and fairness in spades, but once Gaia digs deeper she finds it’s another dystopia, this time controlled by women (namely the charismatic, blind Matrarc). But something in the air kills anyone who leaves, so Gaia must stay. Immediately she finds herself in the middle of a power struggle, as she questions the status quo, befriends the women who opt out of the "marriage and ten children" regulations that protect the population, argues that men (the majority population) deserve a vote too, performs secret autopsies and unravels the mystery of why those who leave die. Whew! Plus, she juggles a love quadrangle with two brothers from Sylum and Luke, who has fled his powerful father back at the Enclave to follow Gaia across the wasteland. A satisfying repeat of the same heavy themes as the first volume (women’s rights over their own bodies; an individual’s rights versus the power of the community and government; the way in which the masses are drugged—now literally—into quiescent submission) is here leavened with new settings and more kissing.

Faintly feminist soft science fiction for preteens and teens. (Dystopia. 12-16)

Pub Date: Nov. 8, 2011

ISBN: 978-1-59643-570-4

Page Count: 368

Publisher: Roaring Brook

Review Posted Online: Sept. 7, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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Skip this uninspired entry into the world of medieval love and court intrigue.

THE BETROTHED

From the Betrothed series , Vol. 1

In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.

The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.

Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)

Pub Date: May 5, 2020

ISBN: 978-0-06-229163-9

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Feb. 5, 2020

Kirkus Reviews Issue: March 1, 2020

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Heartbreaking, historical, and a little bit hopeful.

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SALT TO THE SEA

January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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