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The Legacy Letters

HIS WIFE, HIS CHILDREN, HIS FINAL GIFT

A touching compendium of down-home guidance, short on plot but emotionally potent.

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In Papritz’s debut novel, a dying father delivers bittersweet words of wisdom in a series of letters to his unborn children.

The story’s unnamed narrator was recently diagnosed with a terminal illness and given seven months to live. He’s also estranged from his wife, who’s pregnant with his twins. He doesn’t want to endanger the pregnancy, so he keeps his illness a secret from her and retires to a mountain cabin. There, he writes the letters that make up this book—a guidebook for the twins about love, loss, childhood, growing up and everything in between. Some of the letters are bubbly and optimistic, extolling the virtues of first kisses and autumn days; others are melancholy and pensive, revealing the narrator’s pain at leaving the world—and his family—too soon. Papritz’s writing overflows with folksy hyperbole, which can be both an asset and a burden. Some readers may roll their eyes at such over-the-top language as “Cause a conniption and a bucketful of mischief. Dance a monkey-doodle.” Often, however, the author’s knack for unusual phrasing makes for fresh, arresting images, as when the narrator writes, “I gather the last remnants of the evening’s breeze, so cool and lazy within my arms, feeling it curl up like a small and innocent kitten.” The novel’s plot is wispy, at best; there’s very little information about the conflict with his wife or the details of his illness, and those looking for a driving story won’t find it here. As a collection of short essays, however, the book is deeply immersive, and it has a strong sense of atmosphere that renders such narrative details hardly necessary. The narrator’s feelings—about the life he’s lived and the death he faces—come off as authentic, and readers will enjoy following him through it. (The author has also published a longer version called The Legacy Letters Complete, which includes audio recordings of the songs that the narrator writes for his children.)

A touching compendium of down-home guidance, short on plot but emotionally potent.

Pub Date: July 1, 2013

ISBN: 978-0985708870

Page Count: 248

Publisher: King Northern, Inc.

Review Posted Online: June 11, 2013

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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