A touching compendium of down-home guidance, short on plot but emotionally potent.

The Legacy Letters


In Papritz’s debut novel, a dying father delivers bittersweet words of wisdom in a series of letters to his unborn children.

The story’s unnamed narrator was recently diagnosed with a terminal illness and given seven months to live. He’s also estranged from his wife, who’s pregnant with his twins. He doesn’t want to endanger the pregnancy, so he keeps his illness a secret from her and retires to a mountain cabin. There, he writes the letters that make up this book—a guidebook for the twins about love, loss, childhood, growing up and everything in between. Some of the letters are bubbly and optimistic, extolling the virtues of first kisses and autumn days; others are melancholy and pensive, revealing the narrator’s pain at leaving the world—and his family—too soon. Papritz’s writing overflows with folksy hyperbole, which can be both an asset and a burden. Some readers may roll their eyes at such over-the-top language as “Cause a conniption and a bucketful of mischief. Dance a monkey-doodle.” Often, however, the author’s knack for unusual phrasing makes for fresh, arresting images, as when the narrator writes, “I gather the last remnants of the evening’s breeze, so cool and lazy within my arms, feeling it curl up like a small and innocent kitten.” The novel’s plot is wispy, at best; there’s very little information about the conflict with his wife or the details of his illness, and those looking for a driving story won’t find it here. As a collection of short essays, however, the book is deeply immersive, and it has a strong sense of atmosphere that renders such narrative details hardly necessary. The narrator’s feelings—about the life he’s lived and the death he faces—come off as authentic, and readers will enjoy following him through it. (The author has also published a longer version called The Legacy Letters Complete, which includes audio recordings of the songs that the narrator writes for his children.)

A touching compendium of down-home guidance, short on plot but emotionally potent.

Pub Date: July 1, 2013

ISBN: 978-0985708870

Page Count: 248

Publisher: King Northern, Inc.

Review Posted Online: June 11, 2013

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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