A compelling page-turner.
American-Irani tensions boil over–and threaten world peace–in this fast-paced international thriller.
Following a devastating bombing raid by American warplanes on nuclear production facilities in Iran, federal agent Tom Griffin is relieved of his position at the Defense Intelligence Agency after he ruffles feathers with reports that one of the Irani targets was a decoy and that the Islamic republic may still have weapons-making capabilities. Soon foreign terrorists retaliate in the American heartland in a series of shocking coordinated attacks. Griffin suspects the government in Tehran is behind the violence and sets out to divine their international intentions and nuclear ambitions, enlisting an old friend to pose as a weapons smuggler. Before long, the spy has negotiated the sale of initiator devices for nuclear bombs to the Irani government. But soon, the spy’s safety is compromised and Tom criss-crosses the globe in order to save his friend and, eventually, the world, as he gets wind of a plot hatched by a rogue admiral in the Irani military to detonate a nuclear bomb–“the sword of God” of the title–in the port of Haifa. With sharp prose, expert pacing, believable characters and political resonance, The Sword of God is an exciting and absorbing read. Krause is skilled wordsmith, equally confident describing the components of nuclear device or conjuring the solitude of a Middle Eastern desert landscape as he is inventing witty dialogue or developing convincing back stories for his many fully realized actors. However, the narrative sags in parts as characters are introduced and then abandoned. Krause’s hero doesn’t appear until the second chapter, after readers have flown over Iran in a bombing mission with air force majors they’ll never meet again. The world in which Krause set his narrative is recognizably our own–animated by concerns over Iran’s nuclear program and resonant with post-9/11 anxiety–but occasional futuristic touches (such as a military program that allows pilots to control planes with chips in their brains) and anachronistic technology (an ethernet cable makes an appearance) muddle the temporality. Still, The Sword of God reads like the work of an accomplished spy novelist.
A compelling page-turner.Pub Date: July 10, 2009
ISBN: 978-1439239513
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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