An intriguing approach to exploring a familiar natural phenomenon, this will appeal to thoughtful young listeners who may...
A young boy describes the ways and places that he gets wet in his world.
From a dip in the pool to splashing in a puddle to enjoying his pets’ sloppy kisses, with quite a few damp diversions along the way, Sookocheff’s unnamed, pale-skinned first-person narrator catalogs his experience with liquids. He notes that sometimes he gets wet slowly, as when he starts his time at the swimming pool by dipping just his toes in; other times it happens fast, as when a cannonball dive makes a big splash. Sometimes it’s voluntary—and fun. Other times, getting wet doesn’t feel so good and brings on tears. Luckily his dad’s there to comfort him (and get wet himself). Getting wet and dirty leads to a bath: getting wet to get clean. Speaking directly to readers about everyday experiences, the text is convincingly childlike and pleasingly immediate. The simple yet expressive illustrations feature round-headed, swoopy-armed people and large swathes of subdued, opaque blues, grays, and greens. They mirror the action and match the low-key tone of the narrative perfectly. There’s gentle humor, compelling (but comfortingly minor) angst, and a loving family to keep the boy safe through his adventures.
An intriguing approach to exploring a familiar natural phenomenon, this will appeal to thoughtful young listeners who may want to share their own experiences in response. (Picture book. 3-7)Pub Date: June 20, 2017
ISBN: 978-1-62779-775-7
Page Count: 32
Publisher: Henry Holt
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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