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TINY GOES BACK TO SCHOOL

Never underestimate the power of a treat to motivate.

When Tiny fails to do any of his tricks—sit, stay, shake—his owner decides it’s time for the anything-but-tiny dog to go back to school.

The first spread sets readers up for some laughs: “Tiny is a good dog. He does what I say. / Watch.” But when the boy says, “Sit, Tiny,” the enormous dog lies on his back and looks at his pal. “Oh no!” The boy’s requests that Tiny shake and stay yield similar results. So, it’s off to Happy Dog School, which Tiny is at first reluctant to approach, until he sees all the other dogs there. (They don’t even reach his belly.) In fact, Tiny is so excited by the other dogs that he misbehaves even more. The teacher’s dog treats get Tiny in line, and he turns out to be a wonderful role model for the others. This Level 1 reader has a limited vocabulary (fewer than 55 words), and most sentences are just two or three words long, located against white backgrounds at the bottoms of the pages. The pictures are bright and colorful, helping kids decode words without telling the entire story.

Never underestimate the power of a treat to motivate. (Early reader. 4-6)

Pub Date: June 26, 2014

ISBN: 978-0-670-78607-7

Page Count: 32

Publisher: Penguin Young Readers

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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LUCY'S LIGHT

Too many bugs, figuratively.

Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.

The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.

Too many bugs, figuratively. (Picture book. 4-6)

Pub Date: Nov. 10, 2015

ISBN: 978-84-16147-00-7

Page Count: 32

Publisher: Cuento de Luz

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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