A host of sublime writers and settings create an entertainingly macabre collection.



This dark anthology explores sinister legends and harrowing mythological creatures spanning the Western Hemisphere.

According to documents that open this book, the enigmatic and decades-old Umbra Arca Society has long compiled myths and legends. Though some question the organization’s very existence, it has allegedly archived a book “for each corner of the world.” This anthology, however, focuses on the Americas with a series of moody poetry and short fiction. Most of the entries follow a traditional format—a hero confronts an otherworldly, typically vengeful being or something equally heinous. But the spotlight shines brightest on the myths and legends themselves, originating from various locales. These include monstrous dogmen in Ohio (Tim Waggoner’s “God Spelled Backward”), the bogeymanlike Sack Man in São Paulo (Josh Malerman’s “Door to Door”), and a heart-eating female demon in the Yucatán Peninsula (Julia Rios’ “Xtabay”). Recognizable characters crop up, such as sea and lake monsters or the tooth fairy in Annie Neugebauer’s spine-chilling “You Ought Not Smile as You Walk These Woods.” Other less-familiar tales prove just as fascinating, from raining fish in Honduras to the colossal “devil whale” in Jeanne C. Stein’s Colombia-set “Diablo Ballena.” An array of talented authors elevates this collection with indelible prose. Christina Sng, for example, delivers a series of creature-laden poems based in Mesoamerica and South America. In “The Massacooramaan,” she writes, “We reached Georgetown by morning. / It was empty / But for the dead bodies / Crisp under our Guyanan sun.” Editors Bissett, Dodge, and Viola stylize the book like an archive and include email correspondence, handwritten notes, photos, and sketches. Bissett and Dodge also contributed several Umbra Arca “case files,” detailing phenomena like mermaids in Mississippi and unexplained ghost lights in Saskatchewan, Canada. Meanwhile, Lovett’s complementary artwork, whether of grotesque, menacing creatures or dreamlike imagery, simply astounds.

A host of sublime writers and settings create an entertainingly macabre collection.

Pub Date: Nov. 30, 2021

ISBN: 978-1-73659-643-2

Page Count: 440

Publisher: Hex Publishers

Review Posted Online: Nov. 22, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.


A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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