THE PORRIDGE POT

A newly translated 19th-century German tale features intriguing illustrations. Carls uses a richly detailed palette and clay sculptures for her figures. This makes for a surreal hyper-reality and dreamy textures for both color and form. In the story, a miller’s wife makes the last of their food into porridge, but when her husband tries to steal a taste, she runs from him with the full pot. Their daughter chases after them but loses a shoe. An old woman comforts the girl and sends her to a palace and tells her what to choose from the clothing offered. When she and the young prince (both are about 12) are about to wed, the old woman appears again and supplies the girl with a palace of her own. Into the merrymaking come the girl’s parents, still running, but they join the feast and all the guests eat a spoonful from the porridge pot and get a wish, as it turns out to be magic. The prince and princess have each other, however, and “that was all they could wish for.” It’s all a bit strange, but very traditional and the pictures will attract older readers who will enjoy the Puss-in-Boots overtones. (Folktale. 7-10)

Pub Date: Sept. 1, 2007

ISBN: 978-0-698-40073-3

Page Count: 32

Publisher: Minedition/Penguin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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TOMAS AND THE LIBRARY LADY

A charming, true story about the encounter between the boy who would become chancellor at the University of California at Riverside and a librarian in Iowa. Tom†s Rivera, child of migrant laborers, picks crops in Iowa in the summer and Texas in the winter, traveling from place to place in a worn old car. When he is not helping in the fields, Tom†s likes to hear Papa Grande's stories, which he knows by heart. Papa Grande sends him to the library downtown for new stories, but Tom†s finds the building intimidating. The librarian welcomes him, inviting him in for a cool drink of water and a book. Tom†s reads until the library closes, and leaves with books checked out on the librarian's own card. For the rest of the summer, he shares books and stories with his family, and teaches the librarian some Spanish. At the end of the season, there are big hugs and a gift exchange: sweet bread from Tom†s's mother and a shiny new book from the librarianto keep. Col¢n's dreamy illustrations capture the brief friendship and its life-altering effects in soft earth tones, using round sculptured shapes that often depict the boy right in the middle of whatever story realm he's entered. (Picture book. 7-10)

Pub Date: Aug. 1, 1997

ISBN: 0-679-80401-3

Page Count: 32

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2000

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