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SHADOWED

A page-turning sports story that delves into a boy’s emotional growth.

Nate Dravus has lived in his older sister Amelia’s shadow, but now he’s trying to find his own path.

Soccer is an obsession in Nate’s Seattle home, but he’s a mediocre player who doesn’t enjoy the game. Meanwhile, Amelia garners a full-ride scholarship to the University of California, Berkeley. When Nate summons the courage to tell his parents he’d rather play basketball, they agree to let him switch but refuse to pay for the club he wants to join. Nate is crushed—his parents don’t encourage him the way they do Amelia, and worse, he overhears them making cruel remarks about his soccer abilities. But Nate is disciplined and driven—and soon he’s playing regularly with new neighbor Lucas Cawley, who’s a beast on the court. The two of them become unstoppable. Lucas stands out for other reasons—his family is poor, his parents are often absent, and he’s a devoted caregiver to his twin sister, Megan, who has unspecified special needs. Bullies call him Creepy Crawley. When tragedy strikes, Nate is unprepared to deal with his intense feelings. This fast-paced story takes place over the course of Nate’s high school years. Deuker’s prose, which evokes the excitement of sports announcers, will keep readers spellbound, and the short chapters make this an accessible work for reluctant readers. Unfortunately, Megan feels more like a plot device than a fully fleshed-out individual. The main characters are white.

A page-turning sports story that delves into a boy’s emotional growth. (Fiction. 13-18)

Pub Date: Nov. 5, 2024

ISBN: 9780063376342

Page Count: 352

Publisher: Clarion/HarperCollins

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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