Rotella gives back to boxing some of its old-school, venerable aura.
Natty, cogitative essays on the sweet science, often from the perspective of the small boxing venue.
Boxing, writes Rotella (Good With Their Hands, 2002; English/Boston College), “self-consciously takes form around the impulse to discipline hitting, to govern it with rules, to master it with technique and inure the body to its effect.” This is how one could approach life, he suggests, though he lets that idea sit lightly on the proceedings, a metaphorical tap. Still, there’s the climate of hurt: “In boxing, hurt is what people do to each other, an intimate social act, a pessimistically stripped-to-the-bone rendition of life as it is lived outside the ring.” Here lies the lesson: to get an education in the ring and not die from it. “Mastering the craft means fashioning a style that takes maximum advantage of one’s root capacity for hitting and minimizes the necessity of taking advantage of one’s root capacity for being hit.” Being hit results in being like the fellow whose eye “resembled some kind of meat custard with a black rubber band pulled tight around it,” or—in Rotella’s relaxed evocation of the language of the ring—like the one with “arms flung over his head to create about nine feet of horizontal British heavyweight, when a guy from Baltimore named Hasim Rahman starched him with an overhand right.” When Rotella was teaching in the Lehigh Valley, he had a chance to attend fights on the Pennsylvania mill-town circuit and in the no-flash champ Larry Holmes’s training center in Easton—the kinds of places where the fight game obtrudes into the local culture, pomp and celebrity don’t apply, and the act of boxing—the principle of defense with bad intentions—can be observed in all its expressions, with enough heart and high action to renew your faith in the game.
Rotella gives back to boxing some of its old-school, venerable aura.Pub Date: Aug. 5, 2003
ISBN: 0-618-14533-8
Page Count: 240
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2003
BOOK REVIEW
BOOK REVIEW
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
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