Rotella gives back to boxing some of its old-school, venerable aura.

READ REVIEW

CUT TIME

AN EDUCATION AT THE FIGHTS

Natty, cogitative essays on the sweet science, often from the perspective of the small boxing venue.

Boxing, writes Rotella (Good With Their Hands, 2002; English/Boston College), “self-consciously takes form around the impulse to discipline hitting, to govern it with rules, to master it with technique and inure the body to its effect.” This is how one could approach life, he suggests, though he lets that idea sit lightly on the proceedings, a metaphorical tap. Still, there’s the climate of hurt: “In boxing, hurt is what people do to each other, an intimate social act, a pessimistically stripped-to-the-bone rendition of life as it is lived outside the ring.” Here lies the lesson: to get an education in the ring and not die from it. “Mastering the craft means fashioning a style that takes maximum advantage of one’s root capacity for hitting and minimizes the necessity of taking advantage of one’s root capacity for being hit.” Being hit results in being like the fellow whose eye “resembled some kind of meat custard with a black rubber band pulled tight around it,” or—in Rotella’s relaxed evocation of the language of the ring—like the one with “arms flung over his head to create about nine feet of horizontal British heavyweight, when a guy from Baltimore named Hasim Rahman starched him with an overhand right.” When Rotella was teaching in the Lehigh Valley, he had a chance to attend fights on the Pennsylvania mill-town circuit and in the no-flash champ Larry Holmes’s training center in Easton—the kinds of places where the fight game obtrudes into the local culture, pomp and celebrity don’t apply, and the act of boxing—the principle of defense with bad intentions—can be observed in all its expressions, with enough heart and high action to renew your faith in the game.

Rotella gives back to boxing some of its old-school, venerable aura.

Pub Date: Aug. 5, 2003

ISBN: 0-618-14533-8

Page Count: 240

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2003

Did you like this book?

No Comments Yet

One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

BACK FROM THE DEAD

A basketball legend reflects on his life in the game and a life lived in the “nightmare of endlessly repetitive and constant pain, agony, and guilt.”

Walton (Nothing but Net, 1994, etc.) begins this memoir on the floor—literally: “I have been living on the floor for most of the last two and a half years, unable to move.” In 2008, he suffered a catastrophic spinal collapse. “My spine will no longer hold me,” he writes. Thirty-seven orthopedic injuries, stemming from the fact that he had malformed feet, led to an endless string of stress fractures. As he notes, Walton is “the most injured athlete in the history of sports.” Over the years, he had ground his lower extremities “down to dust.” Walton’s memoir is two interwoven stories. The first is about his lifelong love of basketball, the second, his lifelong battle with injuries and pain. He had his first operation when he was 14, for a knee hurt in a basketball game. As he chronicles his distinguished career in the game, from high school to college to the NBA, he punctuates that story with a parallel one that chronicles at each juncture the injuries he suffered and overcame until he could no longer play, eventually turning to a successful broadcasting career (which helped his stuttering problem). Thanks to successful experimental spinal fusion surgery, he’s now pain-free. And then there’s the music he loves, especially the Grateful Dead’s; it accompanies both stories like a soundtrack playing off in the distance. Walton tends to get long-winded at times, but that won’t be news to anyone who watches his broadcasts, and those who have been afflicted with lifelong injuries will find the book uplifting and inspirational. Basketball fans will relish Walton’s acumen and insights into the game as well as his stories about players, coaches (especially John Wooden), and games, all told in Walton’s fervent, witty style.

One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

Pub Date: March 8, 2016

ISBN: 978-1-4767-1686-2

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Dec. 19, 2015

Kirkus Reviews Issue: Jan. 1, 2016

Did you like this book?

No Comments Yet

Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading...

CONCUSSION

A maddening, well-constructed tale of medical discovery and corporate coverup, set in morgues, laboratories, courtrooms, and football fields.

Nigeria-born Bennet Omalu is perhaps an unlikely hero, a medical doctor board-certified in four areas of pathology, “anatomic, clinical, forensic, and neuropathology,” and a well-rounded specialist in death. When his boss, celebrity examiner Cyril Wecht (“in the autopsy business, Wecht was a rock star”), got into trouble for various specimens of publicity-hound overreach, Omalu was there to offer patient, stoical support. The student did not surpass the teacher in flashiness, but Omalu was a rock star all his own in studying the brain to determine a cause of death. Laskas’ (Creative Writing/Univ. of Pittsburgh; Hidden America, 2012, etc.) main topic is the horrific injuries wrought to the brains and bodies of football players on the field. Omalu’s study of the unfortunate brain of Pittsburgh Steeler Mike Webster, who died in 2002 at 50 of a supposed heart attack, brought new attention to the trauma of concussion. Laskas trades in sportwriter-ese, all staccato delivery full of tough guyisms and sports clichés: “He had played for fifteen seasons, a warrior’s warrior; he played in more games—two hundred twenty—than any other player in Steelers history. Undersized, tough, a big, burly white guy—a Pittsburgh kind of guy—the heart of the best team in history.” A little of that goes a long way, but Laskas, a Pittsburgher who first wrote of Omalu and his studies in a story in GQ, does sturdy work in keeping up with a grim story that the NFL most definitely did not want to see aired—not in Omalu’s professional publications in medical journals, nor, reportedly, on the big screen in the Will Smith vehicle based on this book.

Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading it.

Pub Date: Nov. 24, 2015

ISBN: 978-0-8129-8757-7

Page Count: 288

Publisher: Random House

Review Posted Online: Sept. 15, 2015

Kirkus Reviews Issue: Oct. 1, 2015

Did you like this book?

No Comments Yet
more