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ELIZA AND THE ALCHEMIST

A delightfully bizarre and rollicking supernatural comedy with colorful humans and ghastly monsters.

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A wacky paranormal novel centers on a college student who’s at least partly responsible for hell’s newly open gates’ unleashing demons.

Eliza Horowitz is only 19 years old and has already decided relationships are either boring or tragic. But her enigmatic UCLA history professor Oliver Crowley excites her, and Eliza has just the thing to grab his attention. Well, she has to steal it first, as it’s a rare book (and family heirloom) from her Hollywood producer father’s library. Crowley seems to like it but then walks away with the volume when Eliza was merely showing it off. Hoping to retrieve her father’s book from Crowley’s university office, she stumbles on a dark, creepy tunnel leading to her professor. Apparently, he’s an alchemist who is using the volume to bring someone back to life. And now it’s either his fault or Eliza’s when a “tear in the universe” allows demons into the world. But Crowley realizes that Eliza harbors the skills of an alchemist, which is a surprise to her, and together they may be able to slam shut this wide-open hellish portal. In a concurrent plot that abandons the present day for the early 20th century, teenager Aurelio Cienfuegos falls in love. But this farmer’s son’s shot at marriage fizzles after he’s wrongfully accused of murder. Aurelio keeps his head down and finds work on a film set only to one day become a Hollywood actor—with a new stage name, of course. It’s only a matter of time before he reunites with his love in a turn of events that ultimately ties to Eliza’s story.

Actor and playwright Lacámara’s first novel presents a bracing, animated tale. It boasts a sprightly supporting cast, from kindhearted gangbanger Jaime, who reluctantly takes part in a hit, to UCLA student Ethan, who’s obsessed with a decidedly uninterested Eliza. They join others in a demon-infested story that showcases such creatures as skeletal zombies, a giant scorpion, and an earthworm-eating homunculus. While these otherworldly beings deliver ample scares, they never truly overwhelm the comedy, most of which comes courtesy of likably snarky Eliza. She, for example, appreciates a creepy black mirror blurring her facial blemishes and hilariously throws a fit when Crowley suddenly vanishes at school with her dad’s book (“No one leaves this hallway until I get some answers!”). Lacámara fills in the Los Angeles backdrop with nods to real-life movies, actors, and scandals, especially in the Old Hollywood plotline, where stars like Gloria Swanson and Charlie Chaplin show up. Likewise, the author deftly weaves historical flourishes into the narrative, including Eliza’s family heirloom and an intimidating figure whose unwelcome arrival, it seems, is imminent. Aurelio’s story, though slightly less funny than Eliza’s, is equally engaging; their dual plots come together in the latter half in numerous ways that only a few readers will predict. The final act, meanwhile, delivers an unlikely hero, growing distrust among allies, and a startling betrayal. The author surely has a sequel in mind, as this novel ends with unanswered questions, suggesting that further adventures await Eliza.

A delightfully bizarre and rollicking supernatural comedy with colorful humans and ghastly monsters.

Pub Date: Feb. 22, 2023

ISBN: 9798986742717

Page Count: 383

Publisher: Fixed Mark Productions, Inc.

Review Posted Online: Jan. 16, 2023

Kirkus Reviews Issue: April 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

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