Combining the amazement offered by the natural world with an unconventional and poignant dose of social commentary, this...

READ REVIEW

WHERE'S RODNEY?

Can-never-sit-still Rodney really wants to be outside, but it seems the world conspires against his urges—but now, Rodney finally makes it outside, “more outside than [he’s] ever been before.”

This book neatly nestles itself among recent trends of growing engagement with African-American populations within our national parks, as well as offering a measured response to the ways black boys may struggle with school cultures that enforce seated obedience over genuine curiosity. We all know Rodney. He’s a smart kid who follows his innate impulses, well enough to further his interest in the wonders of the world. The text allows readers to decide the thorny question of whether Rodney is worthy of an ADHD diagnosis. Because what happens when Rodney finally makes it outside on a class field trip to a park that puts him directly in contact with nature? He’s high, he’s low, and he’s everywhere in between as his natural impulses to explore and discover lead to a calm, “majestic” conclusion. Cooper’s signature style captures Rodney’s fidgetiness indoors and his growing excitement as the school bus rumbles out of town. In the park, a sequence of spectacular double-page sequences places Rodney within the park’s many wonders, and readers can see clearly how this immersion in nature allows the boy to be exactly himself.

Combining the amazement offered by the natural world with an unconventional and poignant dose of social commentary, this story gives more to its readers than what meets the eye. (Picture book. 5-9)

Pub Date: Aug. 7, 2017

ISBN: 978-1-930238-73-2

Page Count: 32

Publisher: Yosemite Conservancy

Review Posted Online: May 1, 2017

Kirkus Reviews Issue: May 15, 2017

Did you like this book?

No Comments Yet

A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

Did you like this book?

No Comments Yet

Cool beans indeed.

THE COOL BEAN

A supposed “has-bean” shows that coolness has more to do with deeds than demeanor.

Offering further moral instruction in this leguminous cousin to The Bad Seed (2017) and The Good Egg (2019), Oswald portrays three beans—each a different species but all sporting boss shades, fly threads, and that requisite air of nonchalance—bringing the cool to streets, hallways, playgrounds, and Leguma Beach. Meanwhile, a fourth (a scraggly-haired chickpea), whose efforts to echo the look and the ’tude have fallen flat, takes on the role of nerdy narrator to recall “olden days” when they all hung out in the same pod. Still, despite rolling separate ways (nobody’s fault: “That’s just how it is sometimes. You spend less time together, even though you’re not totally sure why”), when the uncool bean drops a lunch tray, skins a kid knee on the playground, or just needs a hint in class, one of the others is always on the scene toot suite. No biggie. And passing those casual acts of kindness forward? “Now that’s cool.” John’s good-hearted text makes some hay with the bean puns while Oswald’s pipe-stemmed limbs, googly eyes, and accessories give these anthropomorphic legumes lots of personality. As a fava to young audiences, pair with Jamie Michalak and Frank Kolar’s Frank and Bean (2019) for a musical combination.

Cool beans indeed. (Picture book. 6-9)

Pub Date: Dec. 3, 2019

ISBN: 978-0-06-295452-7

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 23, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

No Comments Yet
more